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Fred Frith Trio:
Fred Frith, guitar
Jason Hoopes, bass
Jordan Glenn, drums
Special Guests: Susana Santos Silva, trumpet
Heike Liss, video
Friday, October 4, 2019 8:00 pm
Old Cabell Hall Auditorium University of Virginia
The Fred Frith Trio began life almost by accident in 2013. A couple of low key local gigs gave rise to a European tour, a debut record on Intakt, and then another tour a couple of years later. By now the group has created an identity that seems to revolve around memories of a bygone psychedelic era filtered through the lens of razor-sharp improvisation. Whether this will remain the prevalent focus remains to be seen. Their last Intakt CD, Closer to the Ground, has been described as “a gripping piece of spontaneous timelessness,” “a vital statement from a singular artist and his inventive crew,” and “a magical, transcendent world.” The trio regularly cooperates with musical guests such as trumpeter Susana Santos Silva or saxophonist Lotte Anker, and visual artist Heike Liss.
Fred Frith is a songwriter, composer, improviser, and multi-instrumentalist best known for the reinvention of the electric guitar that began with Guitar Solos in 1974. He learned his craft as both improviser and composer playing in rock bands, notably Henry Cow, and creating music in the recording studio. Much of his compositional output has been commissioned by choreographers and filmmakers, but his work has also been performed by Ensemble Modern, Hieronymus Firebrain, Arditti Quartet, Robert Wyatt, Bang on a Can All Stars, Concerto Köln, and Rova Sax Quartet, among quite a few others. Fred enthusiastically records and performs all over the place with icons of contemporary music, younger players you may never have heard of, and everyone in between. He is the subject of Nicolas Humbert and Werner Penzel’s award-winning documentary film Step Across the Border.
Jordan Glenn, drums, spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older, he began making movies with his friends and studying lots of jazz, classical, and rock music. In 2006, he relocated to the Bay Area where he has since worked closely with Fred Frith, William Winant, Zeena Parkins, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Lisa Mezzacappa, Karl Evangelista, Michael Coleman, and the bands Jack O’ The Clock, Arts & Sciences, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. Jordan leads and conducts the long-standing trio Wiener Kids—and its ten piece expansion, The Wiener Kids Family Band—and directs the conduction ensemble Beak.
Jason Hoopes, bass, was born and raised in the mountains of Northern California. He began teaching himself to play guitar and bass in high school after discovering thrash-metal, and eventually found himself at Mills College where he met Jordan Glenn and studied with Fred Frith, Roscoe Mitchell, Zeena Parkins, and Joëlle Léandre. Since graduating from Mills, Jason has become a highly sought after bassist in the Bay Area’s diverse and explosive music scene. Primarily recognized for his work with the critically acclaimed avant- rock band Jack O’ The Clock, as well as with Annie Lewandowski’s powerdove and Dominique Leone, he also improvises in a wide range of contexts.
Susana Santos Silva is a Portuguese trumpet player, improviser, and composer based in Stockholm, Sweden. In the last years, she has been considered by the international press as one of the strongest emerging voices in contemporary jazz and improvised music, “one of the most exciting improvisers in the world” (Downbeat). With a singular approach/voice that comes out of a comprehensive spectrum of influences, from classical and contemporary music to jazz and textural sound art, she is interested in stretching the boundaries of the instrument and exploring new ways of expression within music. Her music has been described as “startling, intoxicating, ecstatic, stoically intense, beautiful, overwhelming, mesmerizing, innovative, bold and creative.” She leads her projects Impermanence and Life and Other Transient Storms and co-leads duos with Kaja Draksler and Torbjörn Zetterberg—also in trio with Hampus Lindwall, Child of Illusion and Hearth. In 2018, she released her first solo album, All the Rivers, on Clean Feed Records. Much in demand, she has played, among many others, with Fred Frith, Evan Parker, Joëlle Léandre, Mat Maneri, Craig Taborn, Paul Lovens, Mats Gustafsson, and Hamid Drake.
Heike Liss has been developing and refining tools that allow her to mix and digitally draw over personal video footage in response to and in dialogue with improvised live music. Drawing Sound is a collaboration with her partner and traveling companion Fred Frith. Together they have performed with musical improvisers such as Lotte Anker, Ikue Mori, Okkyung Lee, Chris Cutler, Susana Santos Silva, and Shelley Hirsch among others. Heike also performs live visuals with skratchklang, her duo with violinist/composer Thea Farhadian. Heike takes her cues from the people and the world around her and works in a variety of media, including video, photography, drawing, sculpture, site specific installation, and public intervention. Her award-winning work has been exhibited internationally in museums, galleries, and at film and music festivals. She has collaborated with choreographers Sonsherée Giles and François Verret; musicians Ellen Fullman, GAW, Marcus Weiss, Caroline Penwarden, and Theresa Wong; multi-media artists Ellen Lake, Nomi Talisman, and Michael Trigilio; painter Soffia Saemundsdottir; and poet Lyn Hejinian, to name a few. She lives and works in Oakland and Basel and teaches Transdisciplinary Art at the Universidad Austral de Chile.
On 13 June 2013, the U.S. Supreme Court struck down patents on the hereditary breast and ovarian cancer (BRCA) genes. One company, Utah-based Myriad Genetics, claimed ownership of those genes and both marketed and processed the test for them. Myriad now controls the genetic data of all the persons tested for BRCA.
In the wake of the 9-0 ruling against Myriad, there's considerable debate about who owns this genetic information and who should control it. Should it be held by a private company or in a commons? Should control rest with the BRCA+ community? "Free the Data," a new grass-roots campaign, brings voices of BRCA+ individuals and biomedical investigators alike into this debate. In this Medical Center Hour, documentary filmmaker Joanna Rudnick, together with law and medical experts from UVA, discuss what's at stake in freeing the data.
Co-presented with the Institute for Practical Ethics and Public Life, the Department of Public Health Sciences, and the Cancer Center's Breast Care Program, UVA
The Hollingsworth Lecture in Practical Ethics
Alice Dreger’s newest book, Galileo’s Middle Finger: Heretics, Activists, and the Search for Justice in Science, had its origins in social and scientific controversies having to do with the politics of sex, especially social and medical treatment of so-called intersex individuals. Ms. Dreger’s investigations into this aspect of human identity and intersex rights engaged her with both sides of a heated debate and also with issues of freedom and justice in science. As she says, “Science and social justice require each other to be healthy, and both are critically important to human freedom. . . . [P]ursuit of evidence is probably the most pressing moral imperative of our time. All of our work as scholars, activities, and citizens of democracy depends on it. Yet it seems that, especially when questions of human identity are concerned, we’ve built up a system in which scientists and social justice advocates are fighting in ways that poison the soil on which both depend. It’s high time we think about this mess we’ve created, about what we’re doing to each other and to democracy itself.”
In this Medical Center Hour, Ms. Dreger addresses these concerns—for science, justice, and academic freedom—at a time when pursuit of knowledge can clash with established interests, worldviews, and ideas about social progress.
Co-presented with the History of the Health Sciences Lecture Series
Columbine. Virginia Tech. Ft. Hood. Huntsville. Tucson. Aurora. Newtown. The Navy Yard. Charleston. Roseburg. Gun violence, including a relentless raft of mass shootings, is epidemic today in the U.S., threatening individual safety and public health and wellbeing. The grim tally for 2015, says the Washington Post, is 294 mass shootings in 274 days. Many shooters are said to have undiagnosed or undertreated mental illness in their background.
How does psychopathology contribute to violent behavior, particularly involving firearms, over a person's life course and in the social environment? How accurate and useful are clinicians’ predictions of violence in their patients? What is an appropriate role for clinicians as “gun gatekeepers” and for mental health services generally, as part of a public-health solution to gun violence? This Medical Center Hour reviews research related to these urgent questions and explores implications for clinicians and other mental-health stakeholders.
Co-presented with the Institute for Law, Psychiatry, and Public Policy and the School of Law, UVA
A John F. Anderson Memorial Lecture
This illustrated lecture traces the life and work of Sydney architect Harry Seidler (1923-2006), his key role in bringing Modernism and Bauhaus principles to Australia, identifies his distinctive hand, and explores long-lasting creative collaborations with leading visionaries of the 20th century, including with architects Marcel Breuer and Oscar Niemeyer; artists Josef Albers, Alexander Calder, Norman Carlberg, Charles Perry, Frank Stella, and Lin Utzon; engineer Pier Luigi Nervi, photographer Max Dupain, and developer Dick Dusseldorp, founder of Lend Lease Corporation. In almost sixty years, Seidler has realized over 120 of his designs—from houses to mixed-use multi-story towers and prominent government commissions—all over Australia, as well as in Austria, France, Israel, Italy, Mexico, and Hong Kong.
Apart from the architect’s creative achievements, the lecture will reveal a story of Seidler’s life, a fascinating journey from his motherland of Austria to England, Canada, the United States, Brazil, and finally, to Australia, where he settled in 1948, eventually becoming the country’s most accomplished architect. Among projects to be discussed: Rose Seidler House (1950), Harry and Penelope Seidler House (1967), and Australia Square (1967) in Sydney; Edmund Barton Building (Canberra, 1974), Australian Embassy (Paris, 1977), Hong Kong Club (HK, 1984), Shell Headquarters (Melbourne, 1989) and residential complex Wohnpark Neue Donau (Vienna, 1998).
At a time of sweeping transitions in health care, medical students and young physicians are eager for guidance as to how best to apply their knowledge and skills in caring for patients. In clinical settings, and especially in primary care, who might be the best role models for young trainees to emulate? What skills and traits do the best clinicians use to create healing relationships with patients? How do clinicians become "healers" -that is, practitioners effective in making the patient-professional relationship itself have active therapeutic potential? Professor Larry Churchill and colleagues at Vanderbilt University School of Medicine have examined these matters, interviewing both clinicians and patients on the vital question of what actually makes for a therapeutic encounter, even in the context of a stressed and changing health care system.
In this Medical Center Hour, Professor Churchill will present his studies' findings as a prelude to disscussion of the implications for medical ethics and medical education and for establishing truly "patient-centered" practices.
The design of sustainable, just, and economically feasible environments for human health and well-being is one of the most urgent needs of the 21st century on a global scale. Aging populations, environmental pollution, rapid urbanization, increased poverty, rising health care costs, the need for preventive medicine, and new developments in social and medical science have created a host of design challenges and opportunities. In this Medical Center Hour, Tim Beatley and Reuben Rainey, co-directors of the UVA School of Architecture's new Center for Design and Health, explore ways designers and planners are meeting these challenges at a variety of scales, ranging from patient-centered health care facilities to healthy neighborhoods and cities.
When documentary filmmaker Kathy Leichter moved back into her childhood home after her mother's suicide, she discovered a hidden box of audiotapes. Sixteen years passed before she had the courage to delve into this trove, but there she unearthed what her mother had recorded about every aspect of her life--from the joys and challenges of her marriage to a state senator to her son's estrangement , as well as the highs and lows of living with bipolar disorder. Here one day is Ms. Leichter's emotionally candid film about a woman coping with mental illness, her family relationships, and the ripple effects of her suicide on those she loved. In this Medical center hour, Ms. Leichter offers her extraordinary award-winning film, speaks about the transformative nature of story, and shows how Here one day is helping to dissolve mental health stigma and to educate and support persons and families in communities and educational institutions across the country.
