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Grace Hale, assistant professor of history at the University of Virginia, discusses her book Making Whiteness: The Culture of Segregation in the South, 1890-1940 that focuses on white racial identity and its meaning.
Will Rourk, Megan Page, Charity Revutin, Amelia Hughes, Adriana Giorgis
Summary:
This is a flythrough animation of the 3D data captured at the Villa Almerico Capra Valmaran, aka Villa la Rotonda, in March 2019. Data was captured by University of Virginia Architectural History students under the direction of Andy Johnston and Will Rourk in collaboration with the Institute for Advanced Technologies in the Humanities at the University of Virginia and the de Valmarana family. The animation was created in Autodesk ReCap v.2023 by Will Rourk.
How might the creative arts, as a symbolic and emotional language, help improve well-being in late life? Anne Basting is an acclaimed practitioner and advocate of using the arts to address issues in aging. In this Medical Center Hour, she explores her own creative research and the most promising new practices for improving the lives of elders and caregivers alike.
The Koppaka Family Foundation Lecture in the Medical Humanities
Co-presented with the Southern Gerontological Society Annual Meeting
Theresa Brown became a nurse-who-writes quite accidentally: she had a bad experience at work, wrote it down, and sent what she'd written to the New York Times. To her surprise, the newspaper published it, to great acclaim. From that column came the contract for Ms. Brown's first book, Critical Care, and she also began writing regularly for the Times, proud to have this chance to give voice to the often under-recognized nursing profession.
Only lately, though, while writing her second book, The Shift, did Ms. Brown realize not just how much her nursing gives shape to her writing, but also how her writing influences her nursing. There's much to mull over in health care and usually not much time to do that. Writing forces Ms. Brown to reflect. She learns both positives and negatives about her nursing work in the process of putting that work into words. In this Medical Center Hour, Ms. Brown talks about how writing, which she loves, makes her a better nurse.
The Catherine Strader McGehee Memorial Lecture of the School of Nursing
Co-presented with the School of Nursing, the Virginia Festival of the Book, and Hospital Drive
Part one. Journalist Brandy Ayers describes the Willie Brewster murder trial, which featured the shooting of indicted killer Damon Strange by Jimmy Glenn Knight in the courthouse during the grand jury hearing. He also discusses how the jury commission worked in Alabama. Part two. Mr. Ayers calls for a new style of politics wherein all factions come together for total mobilization. He believes that the American dream is not real for African Americans.
Mary Gaston's has a great sensibility towards Jane Austen's literature. She discusses the morality and romanticism of Jane Austen's novels made into films (Emma, Sense and Sensibility).
This is an animation from the 3D data collected by University of Virginia ARH5600 during Fall semester 2023; data was collected using FARO Focus 3D laser scanners, processed with FARO Scene v. 2022 and edited and optimized with Autodesk ReCap v. 2023; the animation is a flythrough of the Carr-Greer farmhouse at River View Farm, Ivy Creek Natural Area, Charlottesville, Va;
This is a flythrough animation of the 3D data from laser scanner data collection at The Mews, Pavilion III, Academical Village, University of Virginia. Data was collected at different periods from 2016, 2023 and 2024. Data was collected with FARO Focus 3D laser scanners and processed with FARO Scene v.2023. Data was imported into Autodesk ReCap for editing and optimization and for the purpose of creating this animation video.
Kathy Peiss, professor of history at the University of Massachusetts-Amherst, discusses her latest book "Hope in a Jar: The Making of American Beauty Culture" that focuses on the historical context of the modern beauty industry.
Student leaders discuss the history of Take Back the Night beginning in the 1970s, and the importance of protesting against general violence and reclaiming safe spaces.
At a time of sweeping transitions in health care, medical students and young physicians are eager for guidance as to how best to apply their knowledge and skills in caring for patients. In clinical settings, and especially in primary care, who might be the best role models for young trainees to emulate? What skills and traits do the best clinicians use to create healing relationships with patients? How do clinicians become "healers" -that is, practitioners effective in making the patient-professional relationship itself have active therapeutic potential? Professor Larry Churchill and colleagues at Vanderbilt University School of Medicine have examined these matters, interviewing both clinicians and patients on the vital question of what actually makes for a therapeutic encounter, even in the context of a stressed and changing health care system.
In this Medical Center Hour, Professor Churchill will present his studies' findings as a prelude to disscussion of the implications for medical ethics and medical education and for establishing truly "patient-centered" practices.
Doctor Eugene A. Foster discusses his role as the organizer of the chromosomal research on Thomas Jefferson and Sally Hemmings to determine the paternity of her children.
Ingrid Sandole-Staroste, professor of Sociology at George Mason University, discusses her research of women in East Germany and how the unification affected their daily lives.
WAI from New Zealand with the EcoSono Ensemble:
a collaboration across cultures, histories and ecosystems Toi tu te whenua, Ngaro atu te tangata
People come and go but the land remains
WAI features Mina Ripia, Maaka Phat, Uta Te Whanga and Tuari Dawson.
EcoSono Ensemble features Matthew Burtner, Glen Whitehead, Kevin Davis, Christopher Luna-Mega, and I-Jen Fang
Punga Shores WAI
Hine Te Iwaiwa WAI
Sands that Move Glen Whitehead
Ki A Korua WAI
Festival of Whispers Matthew Burtner
Ko Te Rerenga WAI
Windrose Matthew Burtner
Kāore Hoki WAI
Improvisation
Tirama WAI
The Speed of Sound in an Ice Rain Matthew Burtner
Mike Gassman, electric guitar
Hine Te Ihorangi WAI
This concert and the WAI residency are generously sponsored by the Gassmann Fund for Innovation In Music and the Coastal Futures Conservatory.
Concert III - Program Notes
WAI and EcoSono explore intercultural histories through the exchange of musical invention in collaboration with the environment. Combining the ancient “Punga” (anchor) and the “Poi” technologies with contemporary computer music and ecoacoustic approaches, WAI and EcoSono engage in interactive improvisations through sound, song, movement and ecology.
Punga Shores
The concert opens with Punga Shores, a field recording of the place where Maaka discovered the Punga anchor which became the basis and metaphor for our collaboration.
Hine Te Iwaiwa - WAI
Hine Te Iwaiwa was written by a family member Nuki Tākao and local weavers, when they were preparing to begin their craft. Hine Te Iwaiwa is the principal goddess of Te Whare Pora – The House of Weaving. Hine Te Iwaiwa represents the arts pursued by women. Along with this, she is a guardian over childbirth. For us this song is our connection to the Poi. Hine Te Iwaiwa is also the head of the Aho Tapairu, an aristocratic female line of descent. Sometimes this goddess is referred to as Hina, the female personification of the moon.
Sands That Move - Glen Whitehead
Sands That Move is based on the Great Sand Dunes National Monument highlighting the long history of this site and the people who, from age-to- age, have stood in awe and wonder of this geographical phenomenon at the northern edge of the San Luis Valley in southern Colorado. These constant shifting sands have gone by many names from the earliest people to the Navajo who called it Saa waap maa nache,“sand that moves,” and the Apaches who settled in New Mexico who called it Sei-anyedi, “it goes up and down.” This fixed media piece was created out of many interacting, free- flowing evolving actions including rapidly moving college students from the University of Colorado, Colorado Springs taking great effort to conjure the dunes as a sonic membrane. The trumpet-based computer accompaniment emulates these efforts and starts gathering its own momentum much like a dune fueling its own energy once it is engaged.
Ki A Korua - WAI
“Mina’s father wrote this song for his parents (Mina’s grandparents) when they passed on. It speaks of the tears that flow for them; we remember the love and joy that they shared with us.”
Festival of Whispers - Matthew Burtner
Whispers from people and instruments past and present interact as the sea erodes the foundation of the building. The piece was commissioned by the Athenaeum Library in La Jolla, CA.
Ko Te Rerenga - WAI
“Mina is of Ngā Puhi and Ngāti Whātua decent on her father’s side and Ngāti Kahungunu decent on her mother’s side. This song is a history lesson that talks of the time when Māori of Ngā Puhi decent were populating the northern part of Aotearoa/NZ. Traditionally we have many songs like this that talk of history, passed down through the ages, so that we never forget people, places and experiences of the past. Gifts for the future generations.”
Windrose - Matthew Burtner
A windrose is a measure of the winds’ directions in a specific location across a period of time. The piece uses original software that allows the performer to play the windrose of the concert location.
Kāore Hoki - WAI
Kāore Hoki speaks of a passionate expression of grief and sorrow for ancestors whom have passed. Never ending is the love and never ending is the heartache.
Improvisation with the sounds of Australian birds, Tasmanian Devils and cedar trees.
Tirama - WAI
Tirama was written by Maaka’s first cousin Hēmi Te Peeti. Matariki is the Māori name given to the Pleiades star system. When it comes into view it is commonly agreed as the start of the Māori New Year, generally around May or June, and signals a time to prepare the land for the year ahead, to prepare and store food and to meet and discuss issues that affect the families and sub tribes. Tirama names some of the stars and also the actions taken at the time of the Māori New Year.
The Speed of Sound in an Ice Rain - Matthew Burtner
An ice rain crackles on the leaves of a magnolia tree. Musicians perform changing density, temperature and humidity, altering the speed of the sound.
Hine Te Ihorangi - WAI
Hine Te Ihorangi is the goddess and personification of rain. This was written by Keri Tākao and it talks of what happens when you are blessed with life. It speaks of the heavens, water and it’s life-giving properties. This connects us to what we as humans are mostly made up of, and what the world is mostly covered by, Water.
As part of the annual Southeast Regional Seminar in African Studies (SERSAS) at the University of Virginia, Librarian for African American & African Studies Katrina Spencer gathered three panelists who represent diverse stakeholding positions in the publication of African writers, particularly within “Western” markets. While Chinua Achebe's Things Fall Apart has received countless, deserved accolades and Chimamanda Ngozi Adichie’s profile continues to rise, what other names should we know and what trends should we be looking out for in terms of African writing? Nigerian writer Kenechi Uzor has established Iskanchi Press & Magazine to recruit quality works from African creators. Nigerian author Ukamaka Olisakwe’s success has led her to become a screenwriter. And Northwestern University’s Herskovits Library worker Gene Kanneberg, Jr. is keeping his finger on the pulse of pop culture with his writing, “Wakanda as the Window to the Study of Africa,” in the collection Integrating Pop Culture into the Academic Library (Melissa Edmiston Johnson, editor). Each of these players is creating a pathway for the representation of Africa and Africans, and together the four discuss the points at which their missions converge and diverge. The recorded session is sourced from the original virtual Zoom meeting.
The panelists made reference to a variety of opportunities, publishers, and publications in this recording. Below we provide a list of references for viewers’ convenience:
Melville J. Herskovits Library of African Studies Research Grant (https://www.library.northwestern.edu/libraries-collections/herskovits-library/herskovits-travel-grant.html)
Iskanchi Press & Magazine (https://www.iskanchi.com/)
Isele Magazine (https://iselemagazine.com/)
Olongo Africa (https://olongoafrica.com/)
The Enkare Review
Pidgin English
The Middle Daughter by Chika Unigwe
In Such Tremendous Heat by Kehinde Fadipe
An African Abroad by Olabisi Ajala
After God is Dibia by John Anenechukwu Umeh
Nsibidi (a writing system)
africanpoetics.unl.edu
Nnadozie Onyekuru
Ajami manuscripts
Chris Abani
Bakassi Boys
“Nigerian police detain goat over armed robbery” (https://www.reuters.com/article/oukoe-uk-nigeria-robbery-goat/nigerian-police-detain-goat-over-armed-robbery-idUKTRE50M4BM20090123)
Invited speaker Leonardo Flores examines the impact of digital divides in the United States on the emergence of electronic literature as a practice and field, ending with a call for a more expansive term such as "digital writing" to help diversify the field. Professor Flores' talk was part of the Scholars' Lab speaker series at the University of Virginia, April 6, 2022; recorded via Zoom in the presence of a live audience.
Some physicians are born to write, while others have writing thrust upon them. As one of the latter, 2013 Moore Lecturer Margaret Mohrmann discusses what she has learned from writing about doctoring. The act of articulating her experiences as a pediatrician and teacher has shown her, over time, much more about her encounters with patients, and about herself, than she could see at the time those events occurred - or even at the time she wrote about them. Rereading one's own stories and having others read (and co-construct) them can expose the "ghost" in the story - "the story's silent twin," as British novelist Jeanette Winterson puts it. What couldn't be said, or wasn't noticed, or was forgotten often gets written in anyway, quietly, between the lines and within word choices and narrative structures. The process of discovering what went unseen before cultivates in both writer and reader the practice of paying close, compassionate attention to what's happening now, an essential ingredient of good doctoring.
The Moore Lecture
Susan Fraiman, associate professor of English at the University of Virginia, discusses sex in the White House with a feminist lens, the issues over oral sex, and the public's perception of Monica Lewinski.
Miki Liszt, dancer and founder of the Miki Liszt Dance Company, discusses her latest modern dance performance based on the book Veils and Words as an avenue of self-exploration and the veil as an Iranian-born woman.
Derek Nystrom discusses his dissertation for the English department at the University of Virginia on men's involvement in feminism and class identity in American film in the 1970s.