583. Psychedelic Architecture: Towards a New Allegory (55:19)

Date:
2013-10-28
Main contributors:
Hong, John
Summary:
John Hong, AIA LEED AP, introduces the recent work of his firm SsD through the rubric of ‘Psychedelic Architecture.’ By reflecting on the radical social shifts of the 1960's and early 1970's he draws uncanny parallels with the environmental and cultural changes taking place today. Where Metabolist and Situationist architecture of the '60's offered alternative forms of practice and discourse however, Hong calls for a current and more deeply engaged look at form and allegory (as opposed to form and function), that meets the global challenges of today.

584. Coastal Futures & Arctic Bridging Concert featuring Eight Blackbird (1:37:45)

Date:
2019-10-09
Main contributors:
McIntire Department of Music
Summary:
Blue Desert (video installation presented in the OCH Lobby) Peter Swendsen, music; Rian Brown Orso and Geoff Pingree, video Migration Patterns (part 1) Leah Barclay Eroding Fjóla Evans, composer Eighth Blackbird >19980 Lemon Guo and Mengtai Zhang Festival of Whispers - Matthew Burtner, composer Eighth Blackbird ~Intermission~ Migration Patterns (part 2) Leah Barclay The Clarity of Cold Air Jonathan Bailey Holland, composer Eighth Blackbird Migration Patterns (part 3) Leah Barclay Under the Sea Ice Christopher Luna, composer Rivanna String Quartet Inlets John Cage, composer group performance Program Notes Blue Desert (2012) Peter Swendsen, music; Rian Brown Orso, and Geoff Pingree video A multi-channel video installation (seen here in triptych) shot with high- resolution cameras, BLUE DESERT was created during a two-week expedition to Antarctica in November of 2009 aboard the National Geographic Explorer by Geoff Pingree and Rian Brown-Orso. The team worked with Peter Swendsen to create the installation’s soundscape using field recordings from Antarctica as well as Swendsen’s library of sounds from Arctic Norway. The three first installed the work, for three-channel video and four-channel sound, at the Laconia Gallery in Boston in November of 2011. Antarctica is a uniquely vast and haunting panorama of ice, water, and sky. To visit this place is to glimpse a world without human beings, to observe a planet in its most primitive and elemental state, to witness the mysteriously beautiful and fearsome power of the earth. Although any attempt to represent the Antarctic is, in some sense, futile – an exercise in framing the unframeable—BLUE DESERT provides a provisional window onto a wondrous landscape that embodies, paradoxically, the ancient permanence and never-ending flux of our physical environment. Migration Patterns: Saltwater (Queensland Coastline) (2019) Leah Barclay Aquatic ecosystems are complex acoustic environments, where species are reliant on sound to communicate and survive. Sound propagates underwater at different speeds, affected by temperature, pressure, and salinity. The impacts of climate change are often visible in terrestrial environments, yet dramatic changes in aquatic ecosystems go unnoticed simply due to visibility. Increased anthropogenic noise and rising temperatures cause ecological disruptions that are dramatically transforming the acoustic ecologies of our oceans, rivers, and wetlands. This work explores the fragility and complexity of life in a world of sound and vibration. Drawing on a large database of hydrophone recordings from the Queensland coastline, this work traces sonic migration patterns and shifting ecologies from the smallest micro crustaceans to the largest marine mammals on the planet. The recordings focus around the Great Barrier Reef and K’Gari (Fraser Island), a major transitory point for humpbacks. The whale song adapts in response to changing environments and the recordings contribute to ongoing scientific research on the value of aquatic acoustic ecology in climate action. This sound work immerses listeners in the depths of aquatic ecosystems alongside the coastline of Queensland and transposes infrasonic and ultrasonic recordings into perceptible ranges for humans. >19980 - Into Silence They Appear (2017-2019) Lemon Guo, music; Mengtai Zhang, video “Ten thousand things are heard when born, But the highest heaven’s always still. Yet everything must begin in silence, And into silence it vanishes.” -Wei Yingwu, On Sound In Taoist macroscopic ideology, the richest sound cannot be heard, but felt. Human hearing is limited to a narrow frequency range between 20Hz and 20kHz, which split the sound not only from the maker but also from its nature. The sound exceeding this range would not be heard by the ear, but felt by the body. In this universe, infinite things are producing ultrasonic and subsonic waves around us all the time. While it has been an ancient source of poetic inspiration, the inaudible world is far from being innocent, having been exploited for its physical potential as weaponry and for surveillance since World War I. Then, what is this inaudible world really like? Driven by this question, “>19980” is an ongoing series of audiovisual exploration following the idea of the inaudible soundscape. As the first piece that started this project, “Into Silence They Appear” explores the inaudible world underwater through the call of the orca, while incorporating computer-generated imagery as an imagination of such sound world. During the EcoSono Institute in Alaska in 2013, we collectively recorded the orca vocalization, which is much wider than the human hearing range, with hydrophones and portable recorders. While listening to bird calls in New York one day in 2017, out of curiosity, I time-stretched the inaudible frequencies from the orca recording. Incredible things happened quickly. Chords and melodies emerged. I felt like I had stumbled into an entire sound world in those perceived silence. So I simply layered the sounds, hoping to convey the sense of wonder that struck me at that moment. The visual projection employs algorithmically generated imagery, utilizing techniques such as fractal noise, geometric distortion, and particle systems. The work extends the Taoist ideas on music, reimagining sound unheard, that transcends the human experience, transforming with time and space. Fjóla Evans: Eroding (2017) Over thousands of years the glacial river Hvítá in Iceland has carved a deep gorge into the surrounding landscape. At one particular twist in the river, the erosion has left several huge pillars of hyaloclastite rock, which look as they were flung haphazardly into the riverbed. In fact they were revealed slowly over time from the process of the river carving away their surroundings. In Eroding, the players create a dense mass that gets worn down over time in order to reveal the spiky formations beneath the surface. Festival of Whispers (2017) Matthew Burtner, composer performed by Eighth Blackbird Festival of Whispers was commissioned by the Athenaeum Library of Art and Music in La Jolla, CA as a sound installation for the SoundON Festival of Modern Music. The piece is about coastal erosion as cultural erosion. It includes a chamber ensemble work (expanded in 2019), a multichannel sound installation, and a series of headphone listening stations, any part of which can be presented independently. Listeners hear the sound of the coast through the walls and floor, as if the ocean is pushing up under the building, pulling it out into the sea stone by stone. Whispered texts drawn from the music library stacks (the writings of composers) wash off the shelves and drift out to sea. As the ocean erodes the performance space, the musicians and audience members spread whisper chains around the hall, creating a festival of whispers. The ensemble music, while evoking the collapse of culture through coastal erosion, also develops its own musical content and community, contributing to that culture even as it too is washed away. Festival of Whispers explores the quiet loss of rare cultural artifacts, an outcome of climate change often overlooked in the face of the humanitarian and economic devastation global warming brings. Note to the audience: The musicians will cue you to whisper to your neighbor, according to the individual audience-member scores included in your program. The audience will create “whisper chains” that they pass around the hall by whispering to their neighbors. These whispers mix with the oceanic sounds projected through the speakers, a sea of water and whispers. The Clarity of Cold Air (2013) Jonathan Bailey Holland, composer performed by Eighth Blackbird Jonathan Bailey Holland’s works have been commissioned and performed by numerous orchestras, including the Atlanta, Baltimore, Cincinnati, Cleveland, Dallas, Detroit, Minnesota, and Philadelphia Symphony Orchestras, as well as numerous chamber groups and soloists. A recipient of a 2015 Fromm Foundation Commission, he has received honors from the American Academy of Arts & Letters, American Music Center, ASCAP, the Presser Foundation, and more. He has served as Composer-in-Residence for the Plymouth Music Series of Minnesota, Ritz Chamber Players, Detroit and South Bend Symphony Orchestras, and the Radius Ensemble. Recent highlights include the premiere of Equality for narrator and orchestra for the Cincinnati Symphony Orchestra, and the premiere of Forged Sanctuaries by Curtis on Tour, commissioned to commemorate the centennial of National Park Service. Holland is Chair of Composition, Theory and History at Boston Conservatory at Berklee, and Faculty Chair of the Music Composition Low Residency MFA at Vermont College of Fine Arts. Previously he served as Professor of Composition at the Berklee College of Music. About The Clarity of Cold Air, Jonathan writes: Inspired by many a cold, Northern Midwest or New England day, this work is primarily atmospheric, focusing on the sonorities achieved by blending the instruments of the ensemble in various ways. There are many stark sounds - high, glassy harmonics from the strings, bowed metallic percussion instruments, harsh multi-phonics from the winds, airy cymbal rolls. Under the Sea Ice (2015) Christopher Luna-Mega, composer performed by Rivanna String Quartet Few sounds I have found to be as fascinating as those of the bearded seals from the Chukchi sea in the Arctic Ocean. My first encounter with them was a recording by Ray, Watkins and Burns. It came to me that the sounds of the bearded seals would be ideal material for strings – the constant glissandi and the high resolution microtonal nuances characteristic of seal songs can be performed by no other acoustic instruments as idiomatically. All the music performed by the string quartet derives from transcriptions of several bearded seal songs, which were generously provided to me by Joshua Jones, researcher at the Scripps Whale Acoustic Lab, University of California, San Diego. Variations of the transcriptions (mainly in pitch and duration) were based on statistics of the bearded seal repertoire from 2008-2009, included in the Jones et al. article: Ringed, Bearded, and Ribbon Seal Vocalizations North of Barrow, Alaska: Seasonal Presence and Relationship with Sea Ice. The electronics for this piece consist of a hydrophone recording of sea ice from the Chuckhi sea, also a contribution of the Scripps Whale Acoustic Lab. John Cage, Inlets (1977) John Cage’s Inlets for water-filled conch shells is a listening meditation to consider your personal relationship with your environment. Cage instructs that the sound of burning pine cones be played as an interlude, a sound with renewed meaning in the context of our climate crisis. Notes on Ensembles The Rivanna String Quartet brings vibrant concerts to Central Virginia on the grounds of the historic University of Virginia. Quartet members are dedicated to promoting collaboration, quality performances, and education throughout the community. The Rivanna String Quartet looks to find the balance between the old and new, bringing a fresh look to the string quartet’s robust and varied repertoire through collaborations with living composers and guest artists. Rivanna is the resident quartet for the McIntire Department of Music at the University of Virginia, where the members serve as faculty and as principal musicians of the Charlottesville Symphony at the University of Virginia. Individually each musician maintains an active teaching and performing schedule within the community collaborating with such organizations such as the Kluge-Ruhe Aboriginal Art Collection, Ash Lawn Opera, Monticello, Charlottesville and Albemarle school systems, and the Richmond Symphony. Members of the quartet include Daniel Sender (violin), David Sariti (violin), Ayn Balija (viola), Adam Carter (cello). Eighth Blackbird’s mission is to move music forward through innovative performance, advocate for new music by living composers, and create a legacy of guiding an emerging generation of musicians. Eighth Blackbird, hailed as “one of the smartest, most dynamic contemporary classical ensembles on the planet” (Chicago Tribune), began in 1996 as a group of six entrepreneurial Oberlin Conservatory students and quickly became “a brand-name defined by adventure, vibrancy and quality” (Detroit Free Press). Over the course of more than two decades, Eighth Blackbird has continually pushed at the edges of what it means to be a contemporary chamber ensemble, presenting distinct programs in Chicago, nationally, and internationally, reaching audiences totaling tens of thousands. The sextet has commissioned and premiered hundreds of works by composers both established and emerging, and have perpetuated the creation of music with profound impact, such as Steve Reich’s Double Sextet, which went on to win the 2009 Pulitzer Prize. The ensemble’s extensive recording history, primarily with Chicago’s Cedille Records, has produced more than a dozen acclaimed albums and four Grammy Awards for Best Small Ensemble/Chamber Music Performance, most recently in 2016 for Filament. Longstanding collaborative relationships have led to performances with some of the most well- regarded classical artists of today from heralded performers like Dawn Upshaw and Jeremy Denk, to seminal composers including Philip Glass and Nico Muhly. In recent projects, Eighth Blackbird has joined forces with genre-fluid composers and performers including The National’s Bryce Dessner, Arcade Fire’s Richard Reed Perry, Justin Vernon of Bon Iver, My Brightest Diamond frontwoman Shara Nova, Will Oldham aka Bonnie “Prince” Billy and Iarla Ó Lionáird of The Gloaming, among others. Eighth Blackbird’s most recent album, When We Are Inhuman, a collaboration with Oldham and Dessner, was released on August 30, 2019 on 37d03d/Secretly Canadian. Singing in the Dead of Night, written for the ensemble by Michael Gordon, David Lang and Julia Wolfe, will be released on Cedille Records in spring, 2020. Eighth Blackbird first gained wide recognition in 1998 as winners of the Concert Artists Guild Competition. Since 2000, the ensemble has called Chicago home, and has been committed to serving as both importer and exporter of world class artistic experiences to and from Chicago. A year- long pioneering residency at the Museum of Contemporary Art-Chicago in 2016, during which the ensemble served as a living installation with open rehearsals, performances, guest artists, and public talks, exemplified their stature as community influencers. Receiving the prestigious MacArthur Award for Creative and Effective Institutions, Chamber Music America’s inaugural Visionary Award, and being named Musical America’s 2017 Ensemble of the Year have supported Eighth Blackbird’s position as a catalyst for innovation in the new music ecosystem of Chicago and beyond. Eighth Blackbird’s impact extends beyond recording and touring to curation and education. The ensemble served as Music Director of the 2009 Ojai Music Festival, has held residencies at the Curtis Institute of Music and at the University of Chicago, and holds an ongoing Ensemble-in-Residence position at the University of Richmond. In 2017, Eighth Blackbird launched its boldest initiative yet with the creation of Blackbird Creative Laboratory, an inclusive, two-week summer workshop and performance festival for performers and composers in Ojai, CA. The name Eighth Blackbird derives from the eighth stanza of Wallace Stevens’s evocative, imagistic poem, Thirteen Ways of Looking at a Blackbird: “I know noble accents / And lucid, inescapable rhythms; / But I know, too, / That the blackbird is involved / In what I know.” Nathalie Joachim is a Burkart Flutes & Piccolos artist. Matthew Duvall proudly endorses Pearl Drums and Adams Musical Instruments, Vic Firth Sticks and Mallets, Zildjian Cymbals, and Black Swamp Percussion Accessories. Lisa Kaplan is a Steinway Artist. Eighth Blackbird is managed by David Lieberman Artists’ Representatives.

585. Interview with Louis T. Rader (40:51)

Date:
2006
Main contributors:
Elwood, William A, Kulish, Mykola
Summary:
Part one. Historian William H. Harbaugh describes the irony of John W. Davis defending the separate but equal doctrine in Brown v. the Board of Education and explains why Davis took the case as its appellate lawyer. Harbaugh also comments on Thurgood Marshall's opinion of Davis. At 9:20 interview with engineer and business professor Louis T. Rader begins. Mr. Rader talks about his life and career, as well as his support of public education in the promotion of a successful business climate. During Massive Resistance, he protested closing Virginia public schools using the argument that businesses don't want to operate in a community with poor schooling. Part two. Mr. Rader recalls his support of public schooling in Virginia during Massive Resistance in order to sustain economic development within the commonwealth. At 5:30, interview with George R. Ferguson begins. Mr. Ferguson recounts the lawsuit brought by the Charlottesville NAACP to desegregate schools immediately following the Brown v. Board of Education decision in 1954. Court proceedings continued into 1958, when the judge assigned several black children to attend otherwise white schools in Charlottesville. The commonwealth then closed schools in Charlottesville under the policy of Massive Resistance. Mr. Ferguson describes how the Boatwright committee of the Virginia General Assembly harassed Charlottesville NAACP members.

586. Interview with Eugene Williams (19:58)

Date:
2006
Main contributors:
Elwood, William A, Kulish, Mykola
Summary:
Florence Bryant advocates the teaching of African American history. She tells about her own life. At 7:49 interview with Mr. Williams begins. Mr. Williams discusses the historical importance of the Charlottesville street on which he stands during the interview. He offers his views on public housing and his promotion of scattered housing for low income families.

587. First nations' resilience: two communities take on an epidemic (2:01:44)

Date:
2017-09-27
Main contributors:
University of Virginia. School of Medicine
Summary:
When the First Nations of Big River and Ahtahkakoop in Canada's Saskatchewan province realized they had an HIV epidemic within their rural communities, their leadership and health centers rallied community members to determine the social and structural issues behind the epidemic. One of the driving factors proved to be injection drug use. Big River and Ahtahkakoop then developed culturally competent, community-based care to address the intertwined issues of HIV, hepatitis C, and substance use. In this presentation, spokespersons from these two communities describe how they took on these epidemics and discuss the solutions that have worked for them. What can other communities struggling similarly with substance abuse and related infectious disease outbreaks learn from these First Nations' grassroots responses? Are there lessons here for communities in Virginia, where, on average, three people die each day from opioid overdose? Co-presented with the Department of Medicine and the Center for Global Health, in conjunction with the conference, "Best Practices in Community Mobilization in Response to Substance Use and Related Epidemics"

588. Care: inside the world of elder home caregiving (50:19)

Date:
2017-10-25
Main contributors:
University of Virginia. School of Medicine
Summary:
A diverse population of caregivers working in clients' homes constitutes a vital link in our health care “system,” their services filling a gap between institutional care and what families are able to manage on their own. Who are these caregivers, what is their work, and what does their work mean—to them, to the clients and families they serve, to our larger society? Prompted by the recent documentary film, CARE, by Deirdre Fishel, which profiles five caregivers and their elderly clients, this Medical Center Hour inquires into the nature and lived experience of home-based caregiving for elders. What role will such home care play as our society ages and people seek to stay at home with complex, care-intensive medical conditions? How can we better value and compensate care workers and better support families who need their services? What about the sustainability of the home health caregiving economy and its workforce? A John F. Anderson Memorial Lecture Co-presented with the Department of Chaplaincy Services, UVA Health System

589. A plague on all our houses: medical intrigue, Hollywood, and the discovery of AIDS (49:55)

Date:
2016-10-05
Main contributors:
University of Virginia. School of Medicine
Summary:
Thirty-five years after the discovery of AIDS, the story of this disease and the momentous scientific, medical, political, and social changes it occasioned is rich and complicated, even sensational. In 1981, Dr. Michael Gottlieb, a young UCLA immunologist, saw--and published a New England Journal of Medicine article about--a cluster of five cases of immune dysfunction and unusual opportunistic infections in gay men. Not long after, as personal physician to Hollywood actor and AIDS patient Rock Hudson, Dr. Gottlieb became the medical face of this terrifying epidemic. In this Medical Grand Rounds/Medical Center Hour, Dr. Bruce Hillman, a medical school classmate of Michael Gottlieb, probes the war of egos, money, academic power, and Hollywood clout that advanced AIDS research in its first decade even as it compromised the medical scientist who discovered the disease. Dr. Hillman draws on interviews with Dr. Gottlieb and others to chronicle one of the most important and contentious medical discoveries of our time. Medical Grand Rounds/History of the Health Sciences Lecture Co-presented with the Department of Medicine and the History of the Health Sciences Lecture Series of Historical Collections, Claude Moore Health Sciences Library

590. A story of success in reversing urban health disparities (58:56)

Date:
2017-03-01
Main contributors:
University of Virginia. School of Medicine
Summary:
Where you live in a particular U.S. city determines your predicted life expectancy. Neighborhood is destiny, in a way. For example, in New Orleans, there is a twenty-five-year difference in life expectancy from one parish to another only three miles away. This pattern of great gaps in health status, even over short distances, repeats itself in New York, Chicago, the Bay Area, and many other American cities, with harsh consequences. In 2005, Tulsa, Oklahoma was one of the first cities to recognize such dramatic neighborhood variations in life expectancy, with a fourteen-year difference in life expectancy between north Tulsa and midtown—and to take action. In this presentation, Dr. Gerard Clancy describes specific initiatives and lessons learned on the ten-year journey, from 2005 to 2015, to reverse these health disparities and improve the health of the people in north Tulsa. The successes of the past decade have inspired a new ten-year initiative in Tulsa focused on mental health system improvements. Co-presented with the Brodie Medical Education Award Committee, the Academy of Distinguished Educators, and the Department of Medicine

591. A dog walks into a nursing home: what we can learn from animals in a medical setting (1:03:14)

Date:
2016-09-14
Main contributors:
University of Virginia. School of Medicine
Summary:
What happens when an extroverted six-year-old dog and her introverted human partner enter the local public nursing home as a therapy dog team? This was the question writer Sue Halpern (nervously) asked herself when she and her dog Pransky began their work at the Helen Porter Nursing and Rehabilitation Center in Middlebury VT. In this Medical Center Hour, Halpern revisits the remarkable experiences she and Pransky had over six years with the nursing home residents, experiences that continued even after Pransky's health declined. She also speaks to the increasingly recognized value of introducing therapy animals into medical settings and the significant physical and emotional benefits that follow—for patients, staff, and therapy teams. A John F. Anderson Memorial Lecture

592. When addiction strikes a family: writing for recovery (59:46)

Date:
2019-02-13
Main contributors:
University of Virginia. School of Medicine
Summary:
Amid the current opioid epidemic in the U.S., discourse around addicts and addiction can be overwhelmingly negative, pessimistic, and hopeless, reinforcing negative stereotypes. Even in health care, negativity about addiction prevails, making it more challenging for clinicians and organizations to respond with appropriate care, services, and resources. The toll of addiction is staggering. But while statistical and fiscal analyses of the national epidemic can also overwhelm and add to the negativity, might we gain a different view of addiction by accessing the particular experience of it, as it affects individuals and also their families? To know better what is at stake and how to foster recovery, this Medical Center Hour turns to poets Kate Daniels and Owen Lewis for their response to addiction when it strikes close to heart and home. How can writing serve to access the lived experience of addiction—in this case, addiction inside the family circle—and how might writing aid in recovery, for everyone involved?

593. Women changed by cancer: the Whistle Words project (53:22)

Date:
2019-01-30
Main contributors:
University of Virginia. School of Medicine
Summary:
Whistle Words is a multimedia project helping women reclaim their sense of self after a life-changing cancer diagnosis--with the simple aid of a pen. Charlottesville-based Whistle Words offers writing workshops for women in and after cancer treatment. Being part of this project as an adjunct or follow-up to treatment can make a real difference in participants' outlook and healing, as demonstrated by women's writings in the recently published anthology, Truth: Voices of Women Changed by Cancer. In this Medical Center Hour, Whistle Words' co-founder Charlotte Matthews and UVA nurse/breast cancer survivor/workshop participant Susan Goins-Eplee introduce Whistle Words and explore the healing power of writing. A John F. Anderson Memorial Lecture

594. Oral History Interview with Arafat Yinka Balogun, Claudia Cantarella, Montina Cole, Ann Fort, Ton... (1:27:37)

Date:
2023-07-21
Main contributors:
Balogun, Arafat Yinka, Cantarella, Claudia, Cole, Montina, Fort, Ann, Lewis Lee, Tonya, Lewis, Shireen, Cleary Lofton, Deborah, Preston, Tracy
Summary:
Oral history interview with Virginia Law Women members and leadership from 1986 to 1992, including Arafat Yinka Balogun ’89, Claudia Cantarella ’91, Montina Cole ’91, Ann Fort ’91, Tonya Lewis Lee ’91, Shireen Lewis ’89, Deborah Cleary Lofton ’92, and Tracy Preston ’91. The group discusses student activism, the curriculum, and building community at the Law School.

595. Oral History Interview with Bobby Vassar and James Ghee (1:04:16)

Date:
2022-05-14
Main contributors:
Vassar, Bobby, Ghee, James
Summary:
Oral history interview of Bobby Vassar and James Ghee, both class of 1972, took place on May 14, 2022, at the Law School during Reunion Weekend. Vassar and Ghee discussed their experiences as African American students at the Law School in the early 1970s, including reminiscences of professors and courses, as well as their experiences in the wider University and Charlottesville communities.

596. Oral History Interview with Chloe Fife (50:26)

Date:
2024-03-04
Main contributors:
Fife, Chloe
Summary:
Oral history interview with Chloe Fife, class of 2022, via Zoom, on March 4, 2024. Fife discussed her time as a member and president of UVA Law’s chapter of Lambda Law Alliance, highlighting the group’s events and activities, including a successful campaign for the installation of gender-neutral restrooms in the Law School.

597. Oral History Interview with Rosemary Daszkiewicz (1:02:00)

Date:
2021-11-22
Main contributors:
Daszkiewicz, Rosemary
Summary:
Oral history interview of Rosemary Daszkiewicz, class of 1986, via Zoom, on November 22, 2021. Daszkiewicz discussed Virginia Law Women (VLW) recruitment, as well as programs and activities supporting women law students in their studies and employment searches. Daszkiewicz also gave her views on sexism, diversity, and inclusivity at the Law School during 1980s, as well as diversity within VLW at the time.

598. Oral History Interview with Mary Jane McFadden (1:13:00)

Date:
2020-10-23
Main contributors:
McFadden, Mary Jane
Summary:
Oral history interview of Mary Jane McFadden, class of 1974, via Zoom, on October 23, 2020. McFadden discussed her undergraduate experience at Ohio State and how she chose UVA Law. Review of her role in establishing Virginia Law Women and early VLW recruitment efforts. Discussion of gender-based inequity of UVA Law admissions in the early ‘70s and VLW efforts to improve women admission rates. Reminisces of VLW activities and Frances Farmer of the Law Library.

599. Oral History Interview with Elizabeth Trimble and Ellen Bass Brantley (54:04)

Date:
2022-01-25
Main contributors:
Trimble, Elizabeth, Brantley, Ellen Bass
Summary:
Oral history interview of Ellen Brantley, class of 1973, and Elizabeth Trimble, class of 1973, via Zoom, on January 25, 2022. Brantley and Trimble discussed why they decided to study law, how they chose UVA Law School, and how Virginia Law Women (VLW) was established. Review of early VLW recruitment efforts and programs. Brantley and Trimble reminisce about Law School life in the early 1970s.

600. Oral History Interview with Kenneth Williams (46:52)

Date:
2024-03-11
Main contributors:
Williams, Kenneth
Summary:
Oral history interview with Kenneth Williams, class of 1986, via Zoom, on March 11, 2024. Williams discussed his time as a member and president of UVA Law’s Gay and Lesbian Law Students Association, which later became UVA Law’s chapter of Lambda Law Alliance. He detailed events and activities during his tenure, including a successful campaign for the Law School to have an official sexual orientation nondiscrimination policy.