Could not complete log in. Possible causes and solutions are:
Cookies are not set, which might happen if you've never visited this website before.
Please open https://avalon.lib.virginia.edu/ in a new window, then come back and refresh this page.
An ad blocker is preventing successful login.
Please disable ad blockers for this site then refresh this page.
Fred Reno interviews Bruce Zoecklein, Professor Emeritus of Enology at Virginia Polytechnic Institute and State University. They discuss his early career and his move from teaching in California to teaching in Virginia. They also discuss his thoughts on hybrid grapes, the differences between wine growing on the west and east coast, and more.
Fred Reno interviews Chelsey Blevins, the winemaker at Fifty-Third Winery and Vineyard. They discuss her entry into the wine industry, some of the notable Virginia winemakers she has worked with, and more.
Fred Reno interviews Chris Hill, a noted and accomplished Viticulturalist in Virginia. Some of the notable vineyards Chris Hill has partnered with are Michael Shaps Winery, Pollack Vineyards, Barren Ridge Vineyards, Veritas Vineyard and Winery, King Family Vineyards, Keswick Vineyards, Lovingston Winery, and Pippin Hill Farm and Vineyards.
Fred Reno interviews Chris Pearmund, the owner of Pearmund Cellars. They discuss how he started in the wine industry, his journey to learning about wine and winemaking, and more.
Fred Reno interviews Claude Thibaut, the founder and winemaker of Thibaut-Janisson. They discuss his connections to Champagne and his insights into the Virginia wine-growing industry during the early 2000s, and more.
Fred Reno interviews the minds behind Common Wealth Crush Company. Ben Jordan, Tim Jordan, and Patt Eagan discuss their beginnings in the wine industry and what led them to open a winemaker studio in downtown Waynesboro, Virginia.
Fred Reno interviews Cory Craighill, of Septenary Winery, and Ashleigh White, of Glen Manor Vineyards. They discuss the beginnings of their careers in the wine industry, in addition to their opinions on the present and future of Virginia wines, while providing a perspective on the industry from the younger generation.
Fred Reno interviews Damien Blanchon, the winemaker and vineyard manager of Afton Mountain Vineyards. They discuss his journey to discovering wine, his unique approach to vineyard management, and more.
This is the final part of Fred Reno’s interviews about Dennis Horton after his passing. Dennis Horton was a leader of Virginia viticulture and the founder of Horton Vineyards. In this episode, Fred Reno interviews Sharon Horton (Dennis’ wife), Shannon Horton (their daughter), and Caitlin Horton (their granddaughter) as they reflect on Dennis and his legacy.
This is the first part of Fred Reno’s interviews with Virginia wine professionals about Dennis Horton after his passing. Dennis Horton was a leader of Virginia viticulture and the founder of Horton Vineyards. In this episode, Fred Reno interviews Bruce Zoecklein and Mike Heny on Horton’s legacy.
This is the second part of Fred Reno’s interviews with Virginia wine professionals about Dennis Horton after his passing. Dennis Horton was a leader of Virginia viticulture and the founder of Horton Vineyards. In this episode, Fred Reno interviews Jenni McCloud, Luca Paschina, and Lucie Morton on Horton’s legacy.
Fred Reno interviews Elizabeth & Tony Smith, owners of Afton Mountain Vineyards. They discuss the process of selecting a site to plant, the history of the role of winemaker at Afton Mountain Vineyards, their purchase of the Historic Brand label of The Monticello Wine Company, and more.
Fred Reno interviews Gabriele Rausse, who the New York Times calls the father of the modern-day Virginia wine industry. Rausse describes the early beginnings of what is a 44-year journey in wine making and propagating plants. He recounts how he came to Virginia to help the Zonin family establish Barboursville Vineyards and make a significant contribution to the growth and quality of Virginia wine production.
In this second and final segment of Fred Reno’s interview with Gabriele, they dig deeper into the reasons why Rausse left Jefferson Vineyard in 1995 and took the position of Director of the Grounds and Gardens at Monticello.
Fred Reno interviews Jake Busching of Jake Busching Wines and Hark Vineyards. They discuss his work for Jefferson Vineyards, his work with Chris Hill and Aaron Hark, his affection for working with Cabernet Franc, and more.
Fred Reno interviews Jason Murray, the owner and winemaker for Arterra Winery. They discuss his approach to growing and making “Clean Wine,” and much more.
Fred Reno interviews Jeff White, the winemaker and founder of Glen Manor Vineyards. They discuss his work with Professor Tony Wolf and Jim Law, the importance of elevation for vineyard sites in Virginia, working with his niece, and more.
Fred Reno interviews Jenni McCloud, owner of Chrysalis Vineyards at the AG District. They discuss the background and history of the Norton grape, which was propagated in Richmond, Virginia in the 1820s. They also discuss her commitment to the land and how the Ag District became an entity recognized by the state.
Fred Reno interviews Jim Law, Founder/Winemaker of Linden Vineyards. Law discusses and reflects on his career as he approaches 40 years of winegrowing.
Fred Reno interviews Jon Wehner of Chatham Vineyards at Church Creek. They discuss his early years working in his family's vineyard, the ways climate change has impacted wine growing since he started in the late 1990s, and more.
Fred Reno interviews Joy Ting of the Winemakers Research Exchange and Joy Ting Wine. They discuss her work with the Winemakers Research Exchange (WRE), share stories of her work within the Virginia wine industry, and offer their opinions about the future of wine growing in Virginia and the role of hybrids.
Fred Reno interviews Justin Rose, the winemaker for Rosemont Vineyards. They discuss his beginning experiences with wine making, his successful Vermouth project, his work with sparkling wine, and more.
Fred Reno interviews Kirk Wiles, CEO and Co-Founder of Paradise Springs Winery. They discuss the challenges he faced starting his winery, his experience producing wine both in California and Virginia, and more.
Fred Reno interviews Kirsty Harmon, the winemaker and general manager of Blenheim Vineyards. They discuss her education in Enology, her work with Patricia Kluge and Gabriele Rausse, as well as Dave Matthews and his involvement with Blenheim Vineyards, and more.
Fred Reno interviews Lee Hartman, the winemaker for Bluestone Vineyard. They discuss what sets the Shenandoah Valley apart as a Virginia wine-growing region, the meaning behind the name Bluestone, and more.
Fred Reno interviews Luca Paschina, general manager and winemaker for Barboursville Vineyards. They cover his youth in Italy, his professional beginnings in the Napa Valley and Upstate New York, as well as Southern and Northern Italy, and his move to working with Barboursville Vineyards in Virginia, where he has been for the past 30 years.
Fred Reno interviews Lucie Morton, world-renowned ampelographer and viticulturalist. They discuss her background and education in winegrowing, her affinity for hybrid grapes, how she discovered a grape disease, and more.
Fred Reno interviews Matthieu Finot, the winemaker for King Family Vineyards. They discuss his experiences making wine around the world, his transition to making wine in Virginia, the Winemakers Research Exchange, and more.
Fred Reno interviews Michael Shaps, the founder and owner of Shaps Wineworks. They discuss his prior work at Jefferson Vineyards, his interest in the wines of Burgundy, his education at the Lycée Viticole de Beaune in France, and the Virginia wine industry.
Fred Reno interviews Mike Heny, the winemaker for Michael Shaps Wineworks. They discuss the beginnings of his interest in wine, his take on hybrid grapes in Virginia, and more.
Fred Reno interviews Nate Walsh, the founder and winegrowers of Walsh Family Wines. They discuss his early experience in the wine industry, his various work around Virginia, and his ideas on the future of winegrowing in Virginia and the impacts he has seen from Climate Change.
Fred Reno interviews Patrick Duffeler, owner and founder, and Matthew Meyer, winemaker, of Williamsburg Winery. They discuss what drew them to wine, thoughts on Climate Change and its impact on wine growing, the art of tasting wine, and more.
Fred Reno interviews Professor Tony Wolf, Director of Agricultural Research & Extension Center for Virginia Tech University. They discuss his reasons for pursuing viticulture, his insights into what the future for Virginia winegrowing may look like, and more.
Fred Reno interviews Rutger de Vink, the founder of RDV Vineyards, and Josh Grainer, the winemaker at RDV. They discuss De Vink’s experience working with Jim Law, of Linden Vineyards, as well as the background of their bestselling wine and Virginia terroir.
Fred Reno interviews Scott Elliff, the owner and founder of DuCard Vineyards. They discuss supporting philanthropy through the wine industry, sales strategy, creating the greenest Virginia winery, in addition to much more.
Fred Reno interviews Sharon Horton of Horton Vineyards. They discuss Dennis and Sharon’s journey from starting a small hobby vineyard and how that transformed into a full-time pursuit in winegrowing. They also touch on Norton grapes and how winemaking has become a family endeavor with their daughter.
Fred Reno interviews Shepard Rouse, Founder/Winemaker of Rockbridge Winery. They discuss his experience in the wine industry, both in California and Virginia.
Fred Reno interviews Stephen Barnard, winemaker and vineyard manager for Keswick Vineyards. They discuss his move from South Africa to Virginia, the deep historical roots of some of Keswick’s property, his love of Cabernet Franc, and more.
Fred Reno interviews Tim and Peter Rausse, the sons of Gabriele Rausse of Gabriele Rausse Winery. They discuss various experiences they had growing up on a vineyard, and their journey into joining the family business of wine.
When the First Nations of Big River and Ahtahkakoop in Canada's Saskatchewan province realized they had an HIV epidemic within their rural communities, their leadership and health centers rallied community members to determine the social and structural issues behind the epidemic. One of the driving factors proved to be injection drug use. Big River and Ahtahkakoop then developed culturally competent, community-based care to address the intertwined issues of HIV, hepatitis C, and substance use. In this presentation, spokespersons from these two communities describe how they took on these epidemics and discuss the solutions that have worked for them. What can other communities struggling similarly with substance abuse and related infectious disease outbreaks learn from these First Nations' grassroots responses? Are there lessons here for communities in Virginia, where, on average, three people die each day from opioid overdose?
Co-presented with the Department of Medicine and the Center for Global Health, in conjunction with the conference, "Best Practices in Community Mobilization in Response to Substance Use and Related Epidemics"
Emily Levine does for science what Jon Stewart does for news: she critiques it, she makes it relevant, she makes it funny. She brings her experiences as a patient in search of a diagnosis and a curative path to physical health and notes that in order to regain metaphysical health, she had to enter a universe of randomness, uncertainty, and turbulence. She reasons that only quantum physics and chaos theory can make sense of this new universe, and possibly of medicine today.
A John F. Anderson Memorial Lecture
Fred Frith Trio:
Fred Frith, guitar
Jason Hoopes, bass
Jordan Glenn, drums
Special Guests: Susana Santos Silva, trumpet
Heike Liss, video
Friday, October 4, 2019 8:00 pm
Old Cabell Hall Auditorium University of Virginia
The Fred Frith Trio began life almost by accident in 2013. A couple of low key local gigs gave rise to a European tour, a debut record on Intakt, and then another tour a couple of years later. By now the group has created an identity that seems to revolve around memories of a bygone psychedelic era filtered through the lens of razor-sharp improvisation. Whether this will remain the prevalent focus remains to be seen. Their last Intakt CD, Closer to the Ground, has been described as “a gripping piece of spontaneous timelessness,” “a vital statement from a singular artist and his inventive crew,” and “a magical, transcendent world.” The trio regularly cooperates with musical guests such as trumpeter Susana Santos Silva or saxophonist Lotte Anker, and visual artist Heike Liss.
Fred Frith is a songwriter, composer, improviser, and multi-instrumentalist best known for the reinvention of the electric guitar that began with Guitar Solos in 1974. He learned his craft as both improviser and composer playing in rock bands, notably Henry Cow, and creating music in the recording studio. Much of his compositional output has been commissioned by choreographers and filmmakers, but his work has also been performed by Ensemble Modern, Hieronymus Firebrain, Arditti Quartet, Robert Wyatt, Bang on a Can All Stars, Concerto Köln, and Rova Sax Quartet, among quite a few others. Fred enthusiastically records and performs all over the place with icons of contemporary music, younger players you may never have heard of, and everyone in between. He is the subject of Nicolas Humbert and Werner Penzel’s award-winning documentary film Step Across the Border.
Jordan Glenn, drums, spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older, he began making movies with his friends and studying lots of jazz, classical, and rock music. In 2006, he relocated to the Bay Area where he has since worked closely with Fred Frith, William Winant, Zeena Parkins, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Lisa Mezzacappa, Karl Evangelista, Michael Coleman, and the bands Jack O’ The Clock, Arts & Sciences, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. Jordan leads and conducts the long-standing trio Wiener Kids—and its ten piece expansion, The Wiener Kids Family Band—and directs the conduction ensemble Beak.
Jason Hoopes, bass, was born and raised in the mountains of Northern California. He began teaching himself to play guitar and bass in high school after discovering thrash-metal, and eventually found himself at Mills College where he met Jordan Glenn and studied with Fred Frith, Roscoe Mitchell, Zeena Parkins, and Joëlle Léandre. Since graduating from Mills, Jason has become a highly sought after bassist in the Bay Area’s diverse and explosive music scene. Primarily recognized for his work with the critically acclaimed avant- rock band Jack O’ The Clock, as well as with Annie Lewandowski’s powerdove and Dominique Leone, he also improvises in a wide range of contexts.
Susana Santos Silva is a Portuguese trumpet player, improviser, and composer based in Stockholm, Sweden. In the last years, she has been considered by the international press as one of the strongest emerging voices in contemporary jazz and improvised music, “one of the most exciting improvisers in the world” (Downbeat). With a singular approach/voice that comes out of a comprehensive spectrum of influences, from classical and contemporary music to jazz and textural sound art, she is interested in stretching the boundaries of the instrument and exploring new ways of expression within music. Her music has been described as “startling, intoxicating, ecstatic, stoically intense, beautiful, overwhelming, mesmerizing, innovative, bold and creative.” She leads her projects Impermanence and Life and Other Transient Storms and co-leads duos with Kaja Draksler and Torbjörn Zetterberg—also in trio with Hampus Lindwall, Child of Illusion and Hearth. In 2018, she released her first solo album, All the Rivers, on Clean Feed Records. Much in demand, she has played, among many others, with Fred Frith, Evan Parker, Joëlle Léandre, Mat Maneri, Craig Taborn, Paul Lovens, Mats Gustafsson, and Hamid Drake.
Heike Liss has been developing and refining tools that allow her to mix and digitally draw over personal video footage in response to and in dialogue with improvised live music. Drawing Sound is a collaboration with her partner and traveling companion Fred Frith. Together they have performed with musical improvisers such as Lotte Anker, Ikue Mori, Okkyung Lee, Chris Cutler, Susana Santos Silva, and Shelley Hirsch among others. Heike also performs live visuals with skratchklang, her duo with violinist/composer Thea Farhadian. Heike takes her cues from the people and the world around her and works in a variety of media, including video, photography, drawing, sculpture, site specific installation, and public intervention. Her award-winning work has been exhibited internationally in museums, galleries, and at film and music festivals. She has collaborated with choreographers Sonsherée Giles and François Verret; musicians Ellen Fullman, GAW, Marcus Weiss, Caroline Penwarden, and Theresa Wong; multi-media artists Ellen Lake, Nomi Talisman, and Michael Trigilio; painter Soffia Saemundsdottir; and poet Lyn Hejinian, to name a few. She lives and works in Oakland and Basel and teaches Transdisciplinary Art at the Universidad Austral de Chile.
On 13 June 2013, the U.S. Supreme Court struck down patents on the hereditary breast and ovarian cancer (BRCA) genes. One company, Utah-based Myriad Genetics, claimed ownership of those genes and both marketed and processed the test for them. Myriad now controls the genetic data of all the persons tested for BRCA.
In the wake of the 9-0 ruling against Myriad, there's considerable debate about who owns this genetic information and who should control it. Should it be held by a private company or in a commons? Should control rest with the BRCA+ community? "Free the Data," a new grass-roots campaign, brings voices of BRCA+ individuals and biomedical investigators alike into this debate. In this Medical Center Hour, documentary filmmaker Joanna Rudnick, together with law and medical experts from UVA, discuss what's at stake in freeing the data.
Co-presented with the Institute for Practical Ethics and Public Life, the Department of Public Health Sciences, and the Cancer Center's Breast Care Program, UVA
The Hollingsworth Lecture in Practical Ethics
Alice Dreger’s newest book, Galileo’s Middle Finger: Heretics, Activists, and the Search for Justice in Science, had its origins in social and scientific controversies having to do with the politics of sex, especially social and medical treatment of so-called intersex individuals. Ms. Dreger’s investigations into this aspect of human identity and intersex rights engaged her with both sides of a heated debate and also with issues of freedom and justice in science. As she says, “Science and social justice require each other to be healthy, and both are critically important to human freedom. . . . [P]ursuit of evidence is probably the most pressing moral imperative of our time. All of our work as scholars, activities, and citizens of democracy depends on it. Yet it seems that, especially when questions of human identity are concerned, we’ve built up a system in which scientists and social justice advocates are fighting in ways that poison the soil on which both depend. It’s high time we think about this mess we’ve created, about what we’re doing to each other and to democracy itself.”
In this Medical Center Hour, Ms. Dreger addresses these concerns—for science, justice, and academic freedom—at a time when pursuit of knowledge can clash with established interests, worldviews, and ideas about social progress.
Co-presented with the History of the Health Sciences Lecture Series