103. Digital Writing & Digital Divides in the US: Electronic Literature & Privilege (47:27)

Date:
2022-04-06
Summary:
Invited speaker Leonardo Flores examines the impact of digital divides in the United States on the emergence of electronic literature as a practice and field, ending with a call for a more expansive term such as "digital writing" to help diversify the field. Professor Flores' talk was part of the Scholars' Lab speaker series at the University of Virginia, April 6, 2022; recorded via Zoom in the presence of a live audience.

104. Digitalis (2:01:18)

Date:
2019-04-29
Main contributors:
McIntire Department of Music
Summary:
AUTODIVA’S ROOM - Susan Grochmal Vestigial Wings - Eli Stine The Gate is Open - Aiman Khan Integration - Daniel Arvelo-Perez Rain Shadow No. 2 - Ben Luca Robertson Quotation d0419: “Franco, Christian. “Victor Huerta”, Mexico 2009” - Omar Fraire Complicated - Kaiming Cheng Icarus - Ryan Kann godtrash - Becky Brown Squash - 3 LB Program Notes AUTODIVA’S ROOM Hey what’s up welcome to my room have a good time —Susan Grochmal AUTODIVA is currently working on her second album, DIVA PARTY, scheduled for release this summer, a followup to her first album DUAL- ITY. She explores important topics such as the Internet and Computers and are we Real. Vestigial Wings “At the boundary of the desert Beneath the telescopic sky I stopped to take the world in As it went on rushing by I thought ten hundred futures Of what could and would become As the dark of night got closer Slipping disk of orange sun I thought of all I’d loved and lost: Of dropped, forgotten things Of books with unread pages Broken roots, vestigial wings I thought of names gone unremembered, And of places never seen, Of the last of every species, Silent forests, noiseless seas And as dusk made way to nightfall Black sky pricked with yellow light I had not moved a single muscle And so doing lost my life Because in thinking and not doing All I did was just compare What could and would become of Rather than what was really there” —Eli Stine Eli Stine is a composer, programmer, and educator. Stine is currently finishing a Ph.D. in Composition and Computer Technologies as a Jefferson Fellow at the University of Virginia, and is a graduate of Oberlin College and Conservatory with degrees in Technology In Music And Related Arts and Computer Science. Stine’s work explores electroacoustic sound, multimedia technologies (often custom-built software, video projection, and multi-channel speaker systems), and collaboration between disciplines (artistic and otherwise). Festivals and conferences that have programmed Stine’s work include ICMC, SEAMUS, NIME, CMMR, NYCEMF, the Third Practice Festival, CubeFest, the Muestra Internacional de Música Electroacústica, the International Sound Art Festival Berlin, the Workshop on Intelligent Music Interfaces for Listening and Creation, and the International Conference on Computational Intelligence in Music, Sound, Art and De- sign. Currently, his sound design for the virtual reality installation MetamorphosisVR, a virtual reality adaptation of Franz Kafka’s Metamorphosis, is touring around the world, with installation locations including Prague, Berlin, Madrid, Cairo, Oslo, Seoul, Tokyo, and Hong Kong. The Gate Is Open With the guidance of Professor Leah Reid, I wrote this piece this semester. It reflects my recent experience of finding unprecedented happiness and depth in my life and learning to become familiar with joy without worrying about the future. I hadn’t previously composed music with a specific personal event or feeling in mind, so this has been a fun change. The piece begins with just horn alone, and several layers of sound periodically enter and leave throughout, interacting both with each other and with the solo horn. —Aiman Khan Aiman Khan is in her fourth year at the University of Virginia, studying Music and Economics. She is in the Performance Concentration within the Music Department, and she is a member of the horn section of the Charlottesville Symphony. In the summer of 2018, she spent five weeks in Greensboro, NC at the Eastern Music Festival, and this coming sum- mer she will participate the in National Music Festival in Maryland. Aiman is also a composer, primarily of electro-acoustic music. In November 2018, her piece Fluid Awareness was performed at the UVA Fall Dance Concert, and she performed her piece Ragged Call at the 2019 National Student Electronic Music Event (NSEME) in February. Integration Integration is a piece that brings together and takes apart harmony, form, and texture of acoustic and electronic sound. Its inspiration has come from UVA faculty guidance and “integration” of self-inspired ideas and synthesis. Rojo also wants to thank Kevin Davis, Heather Mease, Akin Odeleye, Robert Kaufman, Karidan Mavericks, and Leah Reid for their time and patience in the completion of Integration. —Daniel Arvelo-Perez Daniel “Rojo” Arvelo-Perez is a non-traditional 2nd year who was accepted into the music department last semester. He has been working with DAWS for over the past ten years and has a deep appreciation for the opportunities UVA has brought to him this current semester. His hobbies outside the music department include juggling, martial arts, and blacksmithing. Rain Shadow No. 2 Rain Shadow No. 2 is part of a continued exploration of textural and spectral topologies. This iteration focuses on tonal flux as a property of intersecting overtone (“Otonal”) and undertone (“Utonal”) structures afforded by 7-limit just intonation. Using a pair of hand-held transduc- ers and amplified strings, the performer probes different surfaces to capture minute impulse signals. These impulses are transformed using a variation of Karplus-Strong synthesis, with all synthesis parameters controlled via a secondary tactile interface. The resultant sonorities retain the textural quality of each surface encountered, while imbuing a microtonal ‘haze’ across the spectrum. -Ben Luca Robertson Ben Luca Robertson is a composer, experimental luthier, and co-found- er of Aphonia Recordings. His work addresses an interest in autonomous processes, landscape, and biological systems—often supplant- ing narrative structure with an emphasis on the physicality of sound, spectral tuning systems, and microtonality. Growing up in the inland Pacific Northwest, impressions of Ponderosa pine trees, channel scab- lands, basalt outcroppings, and relics of boomtown decay haunt his work. Ben holds an M.A. in Music Composition from Eastern Washington University, a B.A. from the Evergreen State College, and is currently pursuing a Ph.D. in Composition and Computer Technologies at the University of Virginia. In the Summer of 2015, he was appointed to a guest research position at the Tampere Unit for Computer-Human Interactions (TAUCHI) in Finland and recently collaborated with biologists from the University of Idaho to sonify migratory patterns of Chinook Salmon in the Snake River watershed. Quotation d0419: “Franco, Christian. “Víctor Huerta”, México 2009” -No, we are against any kind of pedagogic device, we have no message to convey, we are artist, we make artwork, not propaganda. On our use of quotes we expect to be close what _ _ _ _ _ _ _ _ wrote: “A quote must be like a bandit who assaults passersby.” —FdC Omar Fraire Human as an artist, inventor, magician, curator, teacher - Fraire’s work is inserted into reality by transducing it, and functions as an act of resistance. Fraire enjoys collaborative work, and his energies oscillate across disciplines. After having deserted from two universities in México, Fraire has gone on to specialize in Sonology (Koninklijk Conservatorium - Holland) and holds a Master’s degree in Contemporary Art as auditor (Aguascalientes). He is the creator of Punto Ciego Festival, and artist of the Guggenheim Aguascalientes. Fraire is mostly self-taught, though he holds an M.A. from Wesleyan, having studied under R. Kuivila, and is currently a Ph.D. candidate at UVA. Complicated Complicated is a future bass electronic music piece written for MelodyPainter, a virtual reality-based composition software that transforms the user’s motion into corresponded MIDI notes. Future Bass is a genre that heavily applies modulated synthesized sounds in its composition. With MelodyPainter, one can fully utilize the capacity of different synthesizers. Complicated has a strong rhymic feeling accompanied by beautiful vo- cal lines. In this piece, I hope to explore the potential of blending MelodyPainter into somewhat mainstream music and see how it goes. -Kaiming Cheng Kaiming Cheng is a musician, programmer, and instrument designer. Cheng is currently a fourth year student pursuing a B.A. in Music and Computer Science as a J.Sanford Miller Arts Scholar at the University of Virginia. At a very young age, Cheng began to play drum and was actively involved in different music groups and bands in both China and America. After also developing a keen interest in technology, he tried to combine his two best interests - music and computer science together. Icarus “This is my final project for MUSI 4547 - Composing with Electronics. The goal was to make something Lofi-inspired. Although that’s how it started, it branched off into something much more dynamic.” -Ryan Kann Ryan Kann “I have been composing primarily orchestral and piano music as a hob- by for a few years; however, MUSI 4547 was my first formal composition course. I am really excited to show off everything that I’ve learned, and I feel I have expanded a lot as a musician over the course of this past semester.” godtrash You really screwed up this time, huh? Becky Brown is a composer, harpist, artist, and web designer, interested in producing intensely personal works. She focuses on narrative, emotional exposure, and catharsis, with a vested interest in using technology and the voice to deeply connect with an audience, wherever they are. Depending on who you talk to, her music is “honest, direct and communicative,” “personal and raw,” or “took me to a place I didn’t want to go.” She is a 2nd year graduate student in composition at UVA. Squash Squash is an exercise in exercising (exorcising?) for the sake of body, mind, spirit, and art. Object impact reveals the (un)evenness of space as compositional process questions our (im)perception of time. -3LB 3LB was formed in Charlottesville, VA on April 1st, 2019 at 2:11 PM.

105. Digitalis 2018 (1:07:10)

Date:
2018-05-15
Main contributors:
McIntire Department of Music
Summary:
Program Notes (Ritual music), for viola, oboe, and percussion - David Joo This piece experiments with the trio’s ability to imitate the sounds of Korean folk music, in particular the incidental timbres from the improvisatory music of shaman rituals. The pitch content is derived from a spectral analysis of the large gong, while the rhythms are loosely based on traditional long-short motifs. David Joo is a 4th year arts & science student studying chemistry and music with a fascination for paper science and experimental music. Improvisations on a Painting by Jules Olitski (2018) - Luc Cianfarani Improvisations on a Painting by Jules Olitski (2018) is a work for piano and live electronics based off of studies in color perception. Each section is based on a color from the painting “Untitled” by Jules Olitski. Much of the work is improvised, and at times the pianist must improvise against an interactive audio-visual screen which changes colors based off of the sounds the piano makes. Luc Cianfarani is a composer and pianist from Saratoga Springs, NY. His work is informed by a wide-variety of sources including jazz, spectralism, postmodernism and visual art. He will continue his compositional studies next years while pursuing a master’s degree at Boston University. SALTSCRUB - Heather Mease tall and tan and tall and lovely the girl from Ipanema goes walking and while she’s walking she stops and passes, says “ah” hm ‘lil corncob’ mease is a composer, multimedia artist, schemer, community arts organizer, and aggressive consumer of internet media. mease has a Bachelor’s of Music from Temple University and currently studies Composition and Computer Technologies at the University of Virginia and manages operations at the Bridge Progressive Arts Initiative in Charlottesville. Zebra Crossings - Aaqil Abdullah A spectralist piece that explores the landscape of percussion. This piece utilizes many types of instruments in conjunction with electronics to help fill the atmosphere. Let the sound of this crossing envelop you, as it comes to a climax. Aaqil Abdullah has been composing since he was 16 years old starting off with chiptune music for the Nintendo Entertainment System. Since then he has moved into many different styles of music for many different instruments, such as saxophone quartets, choral arrangements, and even self-producing popular music. After UVA he plans to keep on composing and doing music theory at every opportunity, and hopes to compose new atmospheres for video game soundtracks. Deep in the Heart of Virginia - Peter Pairo The construction of the Atlantic Coast Pipeline, fracked-gas pipeline, has recently started in Virginia going through over 300 miles of people’s property, national parks, & waterways! It also happens to pass through Buckingham, the geographical center [heart] of Virginia putting thousands of Virginians in danger. This piece aims to utilize electronic music, acoustic instruments, and various forms of visual aid to better depict this imminent environmental catastrophe. This Piece is composed of two main movements each intentionally different. The piece tells the story of the James River, one of the major waterways on the path of the pipeline. The first movement gives more emphasis on the initial peaceful state of James as the sound of clean water starts dripping from a bag into a glass. The ambience of synthesized sound, guiro, and marimba along with soft oboe emphasize are used to depict the sound of nature. Without rest, the second movement starts with the sound of slowly dripping dark colored water [visual pollution]. In the meantime, oboe and viola gradually increase tension by a long crescendo to depict the struggle and the discruption caused by construction. At the end, slapstick [trees falling] breaks this pattern followed by pizzicato in viola and grace notes in oboe leaving the sound of water to solely resonate in the space. Variance - Connor Watkinson In this piece I am exploring the relationship between digital music and nature, combining elements of both live instrumental recordings, immitation, and foley with unique textures meant to represent each space. The three soundscapes being explored here are a spring field, a snow- bound cabin, and a thunderstorm by the sea. Connor Watkinson is a graduating 4th year Music and Cognitive Science double major. EXTENSION OF MYSELF - Susan Grochmal submit too the chaos Susan Grochmal is an undergrad at UVA studying poetry. She explores a personal/human relationship to technology through sound and direct interaction. In addition to building physical entities, she is also a video artist and musician. She plans to release her upcoming album, DUALITY, this spring, under her latest project, AUTODIVA. Rosebud--Excerpt #1 - Ben Robertson This piece & the creation of the instrument itself, originate in a desire to develop a re-embodied mode of synthesis in which the composer/ performer physically engages with sound spectra. To this end, ‘Rosebud’ utilizes electro-magnetic actuators to bring six, metal strings into varying states of sympathetic resonance. This resonance is as much a property of the vibrating string, as it is a product of the software which drives the system. Here sound is not a facsimile of its source. Instead the materials are allowed to speak, translating an imagined world though the artifacts of a very real, physical object. Ben Luca Robertson is a composer, experimental luthier, and co-founder of the independent record label, Aphonia Recordings. His work addresses an interest in autonomous processes and biological systems—often by supplanting narrative structure with an emphasis on the physicality of sound, spectral tuning systems, and microtonality. Illustrating the complex interactions and materials of our surroundings is an essential component of Ben’s work and his compositions often reflect themes associated with his upbringing in the Inland Pacific Northwest. As such, recent projects have included collaboration with the University of Idaho Water Resources Department to sonify the migratory patterns of Chinook Salmon. Another important component of this practice includes the construction of new instruments that utilize re-purposed objects, electro-magnetism, and sympathetic resonance as a means for actualizing the complex tuning systems he envisions for his pieces. Ben holds a B.A. from the Evergreen State College and a M.A. in Music Composition from Eastern Washington University. His work has been featured throughout the region and abroad, including performances at the Sound and Music Computing Conference in Ireland and a guest research appointment with the Tampere Unit for Computer-Human Interaction in Finland. Painting Music in Virtual Reality - Kaimeng Chang What if you can play any instrument just by waving around? Will the virtual surrounding inspire artists’ innovation? In this piece, Kaiming is going to explore the infinite possibility of virtual reality and its application in music. He will perform an ambient electronic music while totally immersed in a virtual outer space. Kaiming Cheng is a musician, programmer, and instrument designer. Cheng is currently a third-year student pursuing B.A. in Music and Computer Science as a J.Sanford Miller Arts Scholar at the University of Virginia. At a very young age, Cheng began to play drum and was actively involved in different music groups and bands in both China and America. After also developing a keen interest in technology, he tried to combine his two best interests - music and computer science together. No Where - Eli Stine This work explores the idea of non place, of a designed electroacoustic environment that is inexpressible, undefined, that ultimately has no sense of where. To accomplish this task both a multitude of ambience tropes (for example, filmic tropes of what archetypal spaces (restaurants, carnivals, offices) sound like) and impossible deformations of recorded and virtual spaces (pushing the ceiling beneath the floor, for example) are juxtaposed and interposed to dis- and un-place the listener. Eli Stine is a composer, programmer, and media designer. Stine is currently pursuing a Ph.D. in Composition and Computer Technologies as a Jefferson Fellow at the University of Virginia. Stine is a graduate of Oberlin College and Conservatory with degrees in Technology In Music And Related Arts and Computer Science. Stine’s work ranges from acoustic to electronic composition, and frequently incorporates multimedia technologies and collaboration, seeking to explore the intersections between performed and computer-generated art. Festivals and conferences that have programmed Stine’s work include the International Computer Music Conference, Society for Electroacoustic Music in the United States conferences, International Symposium on Computer Music Multidisciplinary Research, Conference on New Interfaces for Musical Expression, New York City Electroacoustic Music, Third Practice, Studio 300, and Threshold festivals, the Muestra Internacional de Música Electroacústica, the Spatial Music Workshop, and the International Sound Art Festival Berlin. Most recently Stine created sound design for a VR adaptation of Kafka’s Metamorphosis that is touring the world. More information and work may be found at www. elistine.com. The Horizon, Mine - Rebecca Brown Program notes: Twenty seconds is two minutes is four hours is five days is three weeks. There is some new-old thing I’ve never seen before around every bend, over every hill, along every forest. I never know where I’m going, just that I’m going, just that I’m not where I was anymore or ever again. Performer: Becky Brown, found objects (or percussion, depends on what makes more sense) Becky Brown is a composer, harpist, artist, and web designer, interested in producing intensely personal works across the multimedia spectrum. Currently, she is pursuing a doctorate in composition at the University of Virginia, studying with Dr. Matthew Burtner. She is the Technical Director of the Electroacoustic Barn Dance, and recently worked as a Music Technology Specialist at the University of Richmond. Her music has been performed at SEAMUS, SCI National/Regional, Third Practice New Music Festival, Ball State New Music Festival, and in Beijing, China. Hold Still, her work for live art and electronics, was released on the SEAMUS label in 2017. Previously, she studied electroacoustic composition with Dr. Mark Snyder, and harp performance with Dr. Grace Bauson. Suburban Summers - Caroline Kinsella Growing up, summer in suburbia always left a certain taste in my mouth. It was, and still is, mostly undefinable: somewhere in between exigent and sublime. This composition aims to evoke these feelings—the slow, dreamy heat and inconsistent passage of time—how the weeks blend together and all too soon it’s as if you were living in a memory the whole time. To build this atmosphere, I collaged sounds I associate with warm weather at home—cars rolling by, birds chirping in the yard, the neighbor’s lawnmower starting up—with raw moments of my own summer journals. This soundscape attempts capture the very surreal and nostalgic feelings I have long associated with summers spent in suburbia. Caroline Kinsella is a multimedia artist with a penchant for dreamy soundscapes and collage-based artwork. Her all-around artistic influences include Petra Collins, Richard Siken, Sofia Coppola, Ta-Ku, and In Love With a Ghost. With Bells On - Alex Christie These are things that bubble to the surface during long periods of sleep deprivation. Alex Christie makes acoustic music, electronic music, and intermedia art in many forms. His work has been called “vibrant,” “interesting, I guess,” and responsible for “ruin[ing] my day.” He has collaborated with artists in a variety of fields and is particularly interested in the ways in which acoustic and electronic sound worlds intersect. Performer Bios I-Jen Fang, percussion Described as an “intrepid percussionist” by Fanfare Magazine, I-Jen Fang has a career as a solo performer, chamber musician, orchestral player, and teacher. She joined the faculty of the McIntire Department of Music at the University of Virginia in 2005 and as the Principal Timpanist and Percus- sionist of the Charlottesville Symphony. She received her B.F.A. from Carnegie Mellon University, M.M. from Northwestern University and Doctor of Musical Arts degree from the University of North Texas. I-Jen has performed or recorded with artists such as Keiko Abe, William Cahn, Christopher Deane, Mark Ford, Mike Mainieri, Ed Smith, Michael Spiro, Nanik Wenton, Nyoman Wenton, Attacca Percussion Group, EcoSono Ensemble, and Da Capo Chamber Players. She has performed as marim- ba soloist in Taiwan, U.S., Austria, France, Hungary, Romania, and South Africa. She has also appeared as a featured performer at the Percussive Arts Society International Convention, PAS Day of Percussion, Staunton Music Festival, and Charlottesville Chamber Music Festival. I-Jen Fang is an Innovative Percussion Artist. Kelly Peral, oboe Kelly Peterson Peral is University of Virginia’s Lecturer in Oboe and Principal Oboe with the Charlottesville Symphony at the University of Virginia. Her current performance work also includes engagements with the Roanoke Symphony, Williamsburg Symphony, Richmond Symphony, and Virginia Symphony in Norfolk. Interested in supporting new music projects, Ms. Peral has worked with American Composers Orchestra, NYC Opera’s VOX Festival, Philadelphia’s Network for New Music, and Miami’s Subtropics Festival. Peral has served on the faculties of the Cleveland Music School Settle- ment, Miami’s New World School of the Arts and Florida International University as well as The Juilliard School Pre-College Division. She is a graduate of The Juilliard School (MM), Cleveland Institute of Music (BM), and Interlochen Arts Academy (HSD). Her major teachers include Elaine Douvas, John Mack, Daniel Stolper, and David Goza. Ayn Balija, viola Violist Ayn Balija leads a musically rich life performing and teach- ing throughout the country. She joined the faculty of the University of Virginia in 2007 and serves as the principal violist of the Charlottesville Symphony at the University of Virginia and is the violist of the Rivanna String Quartet. Ms. Balija performs and teaches around the country including the Richmond Symphony, Tennessee Governors School for the Arts, Yachats Summer Music Festival, North Carolina Chamber Music Festival, Charlottesville Opera, West Virginia University, and the Uni- versity of Tennessee Knoxville. She performs and commissions a wide variety of music including new works from Libby Larsen, Kenji Bunch, Jorge Variejo, Matthew Burtner, and Judith Shatin. She holds degrees from Oberlin Conservatory of Music, The Cleveland Institute of Mu- sic and James Madison University. She has studied with Peter Slowik, James Dunham, Jeffrey Irvine, Karen Tuttle, Victoria Chiang, and Amadi Azikiwe. Her principal mentors have been Peter Slowik, Jeffrey Irvine, and Karen Tuttle.

107. Dissecting Gray's Anatomy (the book) (1:00:03)

Date:
2014-01-29
Main contributors:
University of Virginia. School of Medicine
Summary:
In 1858, young English surgeons Henry Gray and Henry VanDyke Carter published an illustrated anatomy textbook for medical students. Gray's Anatomy has never since been out of print, but little was known about its author and illustrator until acclaimed science writer Bill Hayes—inspired by a photograph of Henry Gray—pieced together their story in The Anatomist. This Medical Center Hour explores the medical, historical, and artistic significance of Gray's Anatomy and also Hayes's unforgettable year alongside medical students in the anatomy lab. Co-presented with the History of the Health Sciences Lecture Series, Historical Collections, Claude Moore Health Sciences Library

108. Dissecting with a paintbrush: demonstrating not so "gross" anatomy (58:50)

Date:
2015-10-14
Main contributors:
University of Virginia. School of Medicine
Summary:
Danny Quirk is a young artist specializing in photorealistic watercolors, painting what the camera cannot capture. Much of his work illustrates the intricacies of human anatomy. On canvas, he paints figures in classic poses (sometimes á la Renaissance anatomist Andreas Vesalius) in striking chiaroscuro lighting. But, more dramatically, he also paints on living subjects, representing on the body's surface the anatomical structures that lie beneath. In this Medical Center Hour, Danny Quirk talks about "dissecting" with a paintbrush—and while he's talking, he'll complete an anatomical drawing on a student volunteer. Co-presented with the History of the Health Sciences Lecture Series

109. Diversity for diversity's sake? Or, the answer to implicit bias? (1:00:01)

Date:
2018-02-07
Main contributors:
University of Virginia. School of Medicine
Summary:
In recent years in the US, increasing workforce diversity has become a priority in health care and other industries. Many companies, including Fortune 500s, now recognize that having a diverse workforce improves both business and the bottom line—indeed, diversity is key to organizational excellence. In this Medical Center Hour, a panel of physicians explores whether UVA Health System's growing diversity can add value in a very different way: can our organization's greater diversity be a lever to mitigate bias in these increasingly fraught times? A John F. Anderson Memorial Lecture

110. Doctors as makers (1:04:11)

Date:
2017-02-01
Main contributors:
University of Virginia. School of Medicine
Summary:
Understanding and responding to patients' complex health needs and challenges requires physicians--and all healthcare providers--to think creatively. Knowledge and information are not enough. We must prepare future physicians to think differently and to be mindful of how they think. But future physicians must also possess the skills of a creative artist, because, for many doctors on the clinical frontlines, medicine is a science-using creative art. In this Medical Center Hour, emergency medicine physician, medical educator, and fiction writer Jay Baruch argues that necessary transformations in medicine and medical education will demand new interdisciplinary skills and methods--and essential contributions from artists, writers, designers, and humanities scholars. The Moore Lecture of the School of Medicine

112. Dying in America (1:01:02)

Date:
2015-02-04
Main contributors:
University of Virginia. School of Medicine
Summary:
Dying in America is very different now from half a century ago. Before World War II, death usually occurred at home, often with no medical intervention. But with the bioscientific and medical advances that began in the 1950's, death became medicalized. In hospitals, it became possible to extend life. Often, patients were cured who would otherwise have died, but many endured protracted deaths in which suffering from treatment was worse than suffering from their fatal illness. Through the last decades of the 20th century, the medical and legal professions, medical ethicists, and the public began to consider ways to limit treatment, even to hasten death. It became generally accepted that all patients have the right to refuse life-sustaining treatment. Now, five U.S. states recognize physician-assisted suicide. In this Medical center hour, physician and former New England Journal of Medicine editor-in-chief Marcia Angell traces the history of these changes, then inquires into where we stand now on dying--and where we go from here. Co-presented with the History of the Health Sciences Lecture Series

113. Early warnings! tuberculosis, drug resistance, and HIV/AIDS (1:01:28)

Date:
2018-02-21
Main contributors:
University of Virginia. School of Medicine
Summary:
Tuberculosis continues to be one of the world's most deadly infectious diseases, killing almost two million people each year. In this Medical Center Hour, historian Christian McMillen explores TB's stubborn staying power by examining key aspects of the disease—including the rise of drug resistance and TB's resurgence with the HIV/AIDS epidemic—and detailing global efforts to control it since 1900. Co-presented with the History of the Health Sciences Lecture Series, Historical Collections, Claude Moore Health Sciences Library

114. Eating disorders, an invisible epidemic (1:00:59)

Date:
2013-02-06
Main contributors:
University of Virginia. School of Medicine
Summary:
There's much mythology surrounding eating disorders. Myth: these are time-imited illnesses that resolve when a woman leaves adolescence. Myth: only women experience eating disorders. In a society that reveres bodily thinness and now also celebrates the extremely "fit" body, at once lean and overtly muscular, an estimated 25 to 30 million Americans currently suffer from an eating disorder. Most eating disorders look nothing like the stereotypes suggested by sensational media coverage. The afflicted include men and women of all ages and all ethnicities. And so alongside this country's well-publicized obesity epidemic rages another, quite invisible epidemic of eating disorders. This Medical Center Hour addresses eating disorders and related questions from three perspectives. Speakers include a UVA student in recovery, a parent and national advocate, and the coordinator of the prevention program at UVA's Women's Center. What role does family play in eating disorders? How as health professionals do we ensure that patients get the best treatment? What treatments are most effective? How can we, health professionals and laypersons alike, best support someone who is suffering? What resources are available at UVA and how do we get involved? A John F. Anderson Memorial Lecture Co-presented with the Women's Center, UVA

115. Ebola! The evolving epidemic (51:56)

Date:
2014-10-15
Main contributors:
University of Virginia. School of Medicine
Summary:
"Germs have always traveled. the problem now is they can travel with the speed of a jet plane." So said physician and medical historian Howard Markel in recent days, commenting on the spread of Ebola outside West Africa. This Medical center hour takes stock of the rapidly evolving Ebola epidemic and the concomitant rise in global health security concerns. What is known of this unusual virus and the life-threatening hemorrhagic fever it triggers? How are sociopolitical and cultural conditions and healthcare infrastructural inadequacies in West Africia and elsewhere hindering medical and public health response? How are governmental and health care institutions in the U.S. responding as cases erupt outside West Africia? And, looking ahead, what are the prospects for vaccine development and fast-track clinical trials? A John F. Anderson Memorial Lecture Co-presented with the Department of Public Health Sciences and the Center for Global Health

116. Echoes of the heart, a cardiologist discovers his patients through poetry and photography (1:01:48)

Date:
2012-10-03
Main contributors:
University of Virginia. School of Medicine
Summary:
Patients sometimes complain that they are neither heard by nor really known to their doctors especially, perhaps, subspecialists to whom they've been referred for particular procedures and fear that, as a result, they may receive substandard care. Similarly, in fast paced practice, some physicians, including said subspecialists, may find it difficult to know their patients as persons. Cardiologist Joseph Gascho M.D. met these challenges for himself and his patients by devising ways he could hear and know the persons in his care through the media of photography and poetry. This Medical Center Hour examines doctors' use of the arts to improve the care that patients receive. Dr. Gascho describes three projects that have helped him to bridge the patienthood personhood gulf, enabling him to better understand his patients as individuals and to give them whole person care. He is joined by physician Julia Connelly M.D. for whom photography has become a way to bring care and connection with nature to elderly persons, including nursing home residents.

117. Edge states as opportunities for courage and compassion (1:03:31)

Date:
2019-03-13
Main contributors:
University of Virginia. School of Medicine
Summary:
Anthropologist, activist, and priest Roshi Joan Halifax is the founder and head teacher of the Buddhist monastery, Upaya Zen Center. Seventeen years ago at Upaya, she pioneered a new form of bedside contemplative care known as "Being with Dying," which has since helped to illuminate and change the psychosocial, ethical, and spiritual care of the dying. Halifax's newest work probes what she calls five "edge states" of how we become involved with our fellow beings: altruism, empathy, integrity, respect, and engagement. In this Bice Memorial Lecture, she explores the risks and the opportunities for courage and compassion that persons in the helping professions encounter "at the edge." Bice Lecture, Co-presented with the School of Nursing, UVA

118. Editorial scalpels: behind the scenes with "Narrative Matters" at "Health Affairs" (1:00:01)

Date:
2014-02-05
Main contributors:
University of Virginia. School of Medicine
Summary:
In this Medical Center Hour, Ellen Ficklen, the former editor of "Narrative Matters," takes us behind the scenes at Health Affairs to probe the close working relationship between authors and editors as manuscripts are sculpted and polished into essays that surgeon/author Atul Gawande describes as "some of health care's most stunning writing." A John F. Anderson Memorial Lecture

120. Elderhood: redefining aging, transforming medicine, reimagining life (1:02:58)

Date:
2021-03-03
Main contributors:
University of Virginia. School of Medicine
Summary:
Among the COVID-19 pandemic's lessons is an increased awareness of the hazards of old age. But only a fraction of that risk is biological. At a moment in history when most of us will live into old age, we've created a world that's almost entirely focused on childhood and adulthood. It's time now to define, design, and empower this new, nearly universal elderhood. In this Medical Center Hour, geriatrician and writer Louise Aronson draws on her clinical experience and creative abilities to reimagine and advocate for old age not as a disease but as a vital phase of being human, with implications for social and community life, technology, geroscience, and healthcare. How shall we now approach elderhood? Koppaka Family Foundation Lecture in Health Humanities

123. Empathy, an inquiry (1:00:53)

Date:
2014-10-08
Main contributors:
University of Virginia. School of Medicine
Summary:
In this Medical center hour, prize-winning writer Leslie Jamison inquires into the phenomenon of empathy. It may be something more fraught then we often imagine it to be. Empathy isn't just an instinctive reaction but a more complicated blend of intuition and decision. And it's not neccessarily an unequivocal good. It can mislead. It can exhaust. Ms. Jamison draws on her experiences as a standardized patient, working with and observing student doctors getting "trained" in the practice of empathy, as well as her experiences as a journalist, inhabiting a vexed state of empathy for her subjects, to consider a variety of perspectives on what makes for good empathy and what good it can do. A John F. Anderson Memorial Lecture

124. Eros and illness: a caregiver's tale (1:03:25)

Date:
2017-03-15
Main contributors:
University of Virginia. School of Medicine
Summary:
The caregiver—whether a family member pressed into service or an underpaid home-care aide—is a representative figure of our time. This status is paradoxical because actual caregivers (so often female) do their work largely out of sight and almost in secret. It is an uncanny representative figure whom we do not see. Writer and scholar David Morris spent over a decade as caregiver for his late wife, Ruth, a medical librarian who in her mid-fifties began to show signs of dementia, most likely earlier-onset Alzheimer’s disease. In this Medical Center, Morris describes his experience but also uses his personal caregiving as a fulcrum for opening up larger questions about what biomedicine often overlooks in its molecular vision of illness. Desire is the neglected force that Morris sees as basic to illness, and it is the role of desire in illness that he seeks to clarify. Desire, it turns out, also offers an unanticipated common ground where health-care professionals—caregivers too in their medical role—may meet with patients and families in mutual, richer understanding. A John F. Anderson Memorial Lecture

125. Escaping the melodrama of the ethically impossible, the U.S. sexually transmitted disease studies... (1:02:29)

Date:
2012-09-12
Main contributors:
University of Virginia. School of Medicine
Summary:
In 1990, University of Pittsburgh Public Health Professor John C. Cutler delivered to the university's archives thousands of pages of documents and photographs about an unpublished research project that he ran in Guatemala for the U.S. and Guatemalan governments between 1946 and 1948. Duly cataloged, the files then sat in the library until the mid 2000s, when historian Susan Reverby began to read them as part of her book project on the Tuskegee syphilis studies. Who knew that the infamous U.S. Public Health Service Study of Untreated Syphilis in Tuskegee, Alabama, had an off shore successor? Unlike Tuskegee, the Guatemala studies led by Dr. Cutler involved actual inoculation of sexually transmitted diseases and the paying of sex workers to transmit disease. Unsuspecting and unconsenting prisoners, soldiers, mental patients, and sex workers participated; only some were treated if and when they became infected. In 2009, Professor Reverby returned to the Pittsburgh archive, and in 2010 she wrote up her findings on the Guatemala project. She shared her unpublished article with the late David Sencer, former director of the Centers for Disease Conrol (CDC), who gave the article to the current CDC leadership. The CDC prepared its own report and sent it, along with the Reverby article, up the chain of command to the White House. On Oct. 1, 2010, Health and Human Services Secretary Kathleen Sebelius and Secretary of State Hilary Rodham Clinton apologized to the Guatemalan government and President Obama telephoned then President Colom in Guatemala to explain. In the spotlight of worldwide media attention, presidential commissions in both countries undertook investigations, and survivors of the study filed suit against the U.S. government. The Guatemala study and its aftermath have urgently renewed debate about the ethics of clinical research involving human participants, especially research carried out with vulnerable populations and in the global arena. In this Medical Center Hour, Susan Reverby discusses how her discovery of the Guatemala study files set in motion international investigative and diplomatic processes and what we can learn from this ethically immoral use of medical science. Bioethicist John Arras, a member of the Presidential Commission for the Study of Bioethical Issues, will comment on the commission's investigation and its 2011 report, Ethically impossible: STD research in Guatemala from 1946 to 1948.

126. Every patient tells a story (1:01:04)

Date:
2013-10-02
Main contributors:
University of Virginia. School of Medicine
Summary:
Physician-author Lisa Sanders, who writes the popular "Diagnosis" column in The New York Times Magazine and "Think Like a Doctor" blog for the New York Times, probes the crucial exchanges between doctor and patient that are at the heart of every medical mystery and its solution. The Koppaka Family Foundation Lecture in Medical Humanities

127. Experiment eleven: dark secrets in the discovery of a wonder drug (1:01:42)

Date:
2016-02-24
Main contributors:
University of Virginia. School of Medicine
Summary:
In 1943, Albert Schatz, a young PhD student at New Jersey's Rutgers Agricultural College, was working on a wartime project testing bacteria from farmyard soil when he discovered streptomycin, a new antibiotic that was the first effective drug against the global killer tuberculosis. Schatz’s professor, Selman Waksman, claimed all credit for the discovery, calling Schatz a mere bench worker, and secretly enriched himself with royalties once the drug was patented by pharmaceutical manufacturer Merck. Schatz fought back in what was one of the most vicious battles ever for credit of a major scientific discovery. Schatz won the title of "co- discoverer" and a share of the royalties, but, in 1952, Waksman alone was awarded a Nobel Prize. Schatz disappeared into academic obscurity. This Medical Center Hour features journalist Peter Pringle, whose recent book Experiment Eleven probes this gripping, scandalous story and its diverse global repercussions— for scientific inquiry and mentoring, for research ethics, and for the evolution of Big Pharma. Co-presented with the History of the Health Sciences Lecture Series, Claude Moore Health Sciences Library

128. Extraordinary stories of ordinary life: Radio Diaries (1:03:33)

Date:
2019-01-23
Main contributors:
University of Virginia. School of Medicine
Summary:
January 23, 2019 Joe Richman Since 1996, the Radio Diaries project has been giving people audio recorders and working with them to report on their own lives and histories. Collaborating with teens and octogenarians, persons with chronic and terminal illness, prisoners and prison guards, gospel preachers and bra saleswomen, the famous and the unknown, the project tells extraordinary stories of ordinary life. With stories aired on NPR, BBC, This American Life, and its own podcast, Radio Diaries has pioneered a new form of citizen journalism and, along the way, garnered every major award in broadcast journalism. This Medical Center Hour welcomes Radio Diaries’ founding director, Joe Richman, to share stories and draw parallels with health care practice, where, daily, clinicians traffic in the “extraordinary stories of ordinary life.” The Edward W. Hook Lecture in Medicine and the Arts / Medical Grand Rounds Co-presented with the Department of Medicine, UVA

129. Fair Ellen (04:24)

Date:
Summary:
Performance location: Roanoke County, Virginia, United States

130. First nations' resilience: two communities take on an epidemic (2:01:44)

Date:
2017-09-27
Main contributors:
University of Virginia. School of Medicine
Summary:
When the First Nations of Big River and Ahtahkakoop in Canada's Saskatchewan province realized they had an HIV epidemic within their rural communities, their leadership and health centers rallied community members to determine the social and structural issues behind the epidemic. One of the driving factors proved to be injection drug use. Big River and Ahtahkakoop then developed culturally competent, community-based care to address the intertwined issues of HIV, hepatitis C, and substance use. In this presentation, spokespersons from these two communities describe how they took on these epidemics and discuss the solutions that have worked for them. What can other communities struggling similarly with substance abuse and related infectious disease outbreaks learn from these First Nations' grassroots responses? Are there lessons here for communities in Virginia, where, on average, three people die each day from opioid overdose? Co-presented with the Department of Medicine and the Center for Global Health, in conjunction with the conference, "Best Practices in Community Mobilization in Response to Substance Use and Related Epidemics"

131. Five easy steps to metaphysical fitness (1:01:34)

Date:
2013-10-09
Main contributors:
University of Virginia. School of Medicine
Summary:
Emily Levine does for science what Jon Stewart does for news: she critiques it, she makes it relevant, she makes it funny. She brings her experiences as a patient in search of a diagnosis and a curative path to physical health and notes that in order to regain metaphysical health, she had to enter a universe of randomness, uncertainty, and turbulence. She reasons that only quantum physics and chaos theory can make sense of this new universe, and possibly of medicine today. A John F. Anderson Memorial Lecture

134. Fred Frith Trio - Old Cabell Hall 10.04.19 (54:10)

Date:
2019-10-04
Main contributors:
McIntire Department of Music
Summary:
Fred Frith Trio: Fred Frith, guitar Jason Hoopes, bass Jordan Glenn, drums Special Guests: Susana Santos Silva, trumpet Heike Liss, video Friday, October 4, 2019 8:00 pm Old Cabell Hall Auditorium University of Virginia The Fred Frith Trio began life almost by accident in 2013. A couple of low key local gigs gave rise to a European tour, a debut record on Intakt, and then another tour a couple of years later. By now the group has created an identity that seems to revolve around memories of a bygone psychedelic era filtered through the lens of razor-sharp improvisation. Whether this will remain the prevalent focus remains to be seen. Their last Intakt CD, Closer to the Ground, has been described as “a gripping piece of spontaneous timelessness,” “a vital statement from a singular artist and his inventive crew,” and “a magical, transcendent world.” The trio regularly cooperates with musical guests such as trumpeter Susana Santos Silva or saxophonist Lotte Anker, and visual artist Heike Liss. Fred Frith is a songwriter, composer, improviser, and multi-instrumentalist best known for the reinvention of the electric guitar that began with Guitar Solos in 1974. He learned his craft as both improviser and composer playing in rock bands, notably Henry Cow, and creating music in the recording studio. Much of his compositional output has been commissioned by choreographers and filmmakers, but his work has also been performed by Ensemble Modern, Hieronymus Firebrain, Arditti Quartet, Robert Wyatt, Bang on a Can All Stars, Concerto Köln, and Rova Sax Quartet, among quite a few others. Fred enthusiastically records and performs all over the place with icons of contemporary music, younger players you may never have heard of, and everyone in between. He is the subject of Nicolas Humbert and Werner Penzel’s award-winning documentary film Step Across the Border. Jordan Glenn, drums, spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older, he began making movies with his friends and studying lots of jazz, classical, and rock music. In 2006, he relocated to the Bay Area where he has since worked closely with Fred Frith, William Winant, Zeena Parkins, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Lisa Mezzacappa, Karl Evangelista, Michael Coleman, and the bands Jack O’ The Clock, Arts & Sciences, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. Jordan leads and conducts the long-standing trio Wiener Kids—and its ten piece expansion, The Wiener Kids Family Band—and directs the conduction ensemble Beak. Jason Hoopes, bass, was born and raised in the mountains of Northern California. He began teaching himself to play guitar and bass in high school after discovering thrash-metal, and eventually found himself at Mills College where he met Jordan Glenn and studied with Fred Frith, Roscoe Mitchell, Zeena Parkins, and Joëlle Léandre. Since graduating from Mills, Jason has become a highly sought after bassist in the Bay Area’s diverse and explosive music scene. Primarily recognized for his work with the critically acclaimed avant- rock band Jack O’ The Clock, as well as with Annie Lewandowski’s powerdove and Dominique Leone, he also improvises in a wide range of contexts. Susana Santos Silva is a Portuguese trumpet player, improviser, and composer based in Stockholm, Sweden. In the last years, she has been considered by the international press as one of the strongest emerging voices in contemporary jazz and improvised music, “one of the most exciting improvisers in the world” (Downbeat). With a singular approach/voice that comes out of a comprehensive spectrum of influences, from classical and contemporary music to jazz and textural sound art, she is interested in stretching the boundaries of the instrument and exploring new ways of expression within music. Her music has been described as “startling, intoxicating, ecstatic, stoically intense, beautiful, overwhelming, mesmerizing, innovative, bold and creative.” She leads her projects Impermanence and Life and Other Transient Storms and co-leads duos with Kaja Draksler and Torbjörn Zetterberg—also in trio with Hampus Lindwall, Child of Illusion and Hearth. In 2018, she released her first solo album, All the Rivers, on Clean Feed Records. Much in demand, she has played, among many others, with Fred Frith, Evan Parker, Joëlle Léandre, Mat Maneri, Craig Taborn, Paul Lovens, Mats Gustafsson, and Hamid Drake. Heike Liss has been developing and refining tools that allow her to mix and digitally draw over personal video footage in response to and in dialogue with improvised live music. Drawing Sound is a collaboration with her partner and traveling companion Fred Frith. Together they have performed with musical improvisers such as Lotte Anker, Ikue Mori, Okkyung Lee, Chris Cutler, Susana Santos Silva, and Shelley Hirsch among others. Heike also performs live visuals with skratchklang, her duo with violinist/composer Thea Farhadian. Heike takes her cues from the people and the world around her and works in a variety of media, including video, photography, drawing, sculpture, site specific installation, and public intervention. Her award-winning work has been exhibited internationally in museums, galleries, and at film and music festivals. She has collaborated with choreographers Sonsherée Giles and François Verret; musicians Ellen Fullman, GAW, Marcus Weiss, Caroline Penwarden, and Theresa Wong; multi-media artists Ellen Lake, Nomi Talisman, and Michael Trigilio; painter Soffia Saemundsdottir; and poet Lyn Hejinian, to name a few. She lives and works in Oakland and Basel and teaches Transdisciplinary Art at the Universidad Austral de Chile.

135. Freeing patients' BRCA data (1:03:14)

Date:
2013-11-06
Main contributors:
University of Virginia. School of Medicine
Summary:
On 13 June 2013, the U.S. Supreme Court struck down patents on the hereditary breast and ovarian cancer (BRCA) genes. One company, Utah-based Myriad Genetics, claimed ownership of those genes and both marketed and processed the test for them. Myriad now controls the genetic data of all the persons tested for BRCA. In the wake of the 9-0 ruling against Myriad, there's considerable debate about who owns this genetic information and who should control it. Should it be held by a private company or in a commons? Should control rest with the BRCA+ community? "Free the Data," a new grass-roots campaign, brings voices of BRCA+ individuals and biomedical investigators alike into this debate. In this Medical Center Hour, documentary filmmaker Joanna Rudnick, together with law and medical experts from UVA, discuss what's at stake in freeing the data. Co-presented with the Institute for Practical Ethics and Public Life, the Department of Public Health Sciences, and the Cancer Center's Breast Care Program, UVA The Hollingsworth Lecture in Practical Ethics

137. Galileo’s middle finger: heretics, activists, and the search for justice in science (1:02:57)

Date:
2016-03-23
Main contributors:
University of Virginia. School of Medicine
Summary:
Alice Dreger’s newest book, Galileo’s Middle Finger: Heretics, Activists, and the Search for Justice in Science, had its origins in social and scientific controversies having to do with the politics of sex, especially social and medical treatment of so-called intersex individuals. Ms. Dreger’s investigations into this aspect of human identity and intersex rights engaged her with both sides of a heated debate and also with issues of freedom and justice in science. As she says, “Science and social justice require each other to be healthy, and both are critically important to human freedom. . . . [P]ursuit of evidence is probably the most pressing moral imperative of our time. All of our work as scholars, activities, and citizens of democracy depends on it. Yet it seems that, especially when questions of human identity are concerned, we’ve built up a system in which scientists and social justice advocates are fighting in ways that poison the soil on which both depend. It’s high time we think about this mess we’ve created, about what we’re doing to each other and to democracy itself.” In this Medical Center Hour, Ms. Dreger addresses these concerns—for science, justice, and academic freedom—at a time when pursuit of knowledge can clash with established interests, worldviews, and ideas about social progress. Co-presented with the History of the Health Sciences Lecture Series

146. Gun violence and mental illness--Evidence? Solutions? (1:01:49)

Date:
2015-10-07
Main contributors:
University of Virginia. School of Medicine
Summary:
Columbine. Virginia Tech. Ft. Hood. Huntsville. Tucson. Aurora. Newtown. The Navy Yard. Charleston. Roseburg. Gun violence, including a relentless raft of mass shootings, is epidemic today in the U.S., threatening individual safety and public health and wellbeing. The grim tally for 2015, says the Washington Post, is 294 mass shootings in 274 days. Many shooters are said to have undiagnosed or undertreated mental illness in their background. How does psychopathology contribute to violent behavior, particularly involving firearms, over a person's life course and in the social environment? How accurate and useful are clinicians’ predictions of violence in their patients? What is an appropriate role for clinicians as “gun gatekeepers” and for mental health services generally, as part of a public-health solution to gun violence? This Medical Center Hour reviews research related to these urgent questions and explores implications for clinicians and other mental-health stakeholders. Co-presented with the Institute for Law, Psychiatry, and Public Policy and the School of Law, UVA A John F. Anderson Memorial Lecture

147. Harry Seidler : Architecture, Art and Collaborative Design (1:42:11)

Date:
2013-11-08
Main contributors:
Belogolovskiĭ, Vladimir, 1970-
Summary:
This illustrated lecture traces the life and work of Sydney architect Harry Seidler (1923-2006), his key role in bringing Modernism and Bauhaus principles to Australia, identifies his distinctive hand, and explores long-lasting creative collaborations with leading visionaries of the 20th century, including with architects Marcel Breuer and Oscar Niemeyer; artists Josef Albers, Alexander Calder, Norman Carlberg, Charles Perry, Frank Stella, and Lin Utzon; engineer Pier Luigi Nervi, photographer Max Dupain, and developer Dick Dusseldorp, founder of Lend Lease Corporation. In almost sixty years, Seidler has realized over 120 of his designs—from houses to mixed-use multi-story towers and prominent government commissions—all over Australia, as well as in Austria, France, Israel, Italy, Mexico, and Hong Kong. Apart from the architect’s creative achievements, the lecture will reveal a story of Seidler’s life, a fascinating journey from his motherland of Austria to England, Canada, the United States, Brazil, and finally, to Australia, where he settled in 1948, eventually becoming the country’s most accomplished architect. Among projects to be discussed: Rose Seidler House (1950), Harry and Penelope Seidler House (1967), and Australia Square (1967) in Sydney; Edmund Barton Building (Canberra, 1974), Australian Embassy (Paris, 1977), Hong Kong Club (HK, 1984), Shell Headquarters (Melbourne, 1989) and residential complex Wohnpark Neue Donau (Vienna, 1998).

148. Healing in medicine, lessons from clinicians and patients (1:00:19)

Date:
2014-09-10
Main contributors:
University of Virginia. School of Medicine
Summary:
At a time of sweeping transitions in health care, medical students and young physicians are eager for guidance as to how best to apply their knowledge and skills in caring for patients. In clinical settings, and especially in primary care, who might be the best role models for young trainees to emulate? What skills and traits do the best clinicians use to create healing relationships with patients? How do clinicians become "healers" -that is, practitioners effective in making the patient-professional relationship itself have active therapeutic potential? Professor Larry Churchill and colleagues at Vanderbilt University School of Medicine have examined these matters, interviewing both clinicians and patients on the vital question of what actually makes for a therapeutic encounter, even in the context of a stressed and changing health care system. In this Medical Center Hour, Professor Churchill will present his studies' findings as a prelude to disscussion of the implications for medical ethics and medical education and for establishing truly "patient-centered" practices.

149. Health by design, can our built environment make us healthier? (1:02:31)

Date:
2012-10-24
Main contributors:
University of Virginia. School of Medicine
Summary:
The design of sustainable, just, and economically feasible environments for human health and well-being is one of the most urgent needs of the 21st century on a global scale. Aging populations, environmental pollution, rapid urbanization, increased poverty, rising health care costs, the need for preventive medicine, and new developments in social and medical science have created a host of design challenges and opportunities. In this Medical Center Hour, Tim Beatley and Reuben Rainey, co-directors of the UVA School of Architecture's new Center for Design and Health, explore ways designers and planners are meeting these challenges at a variety of scales, ranging from patient-centered health care facilities to healthy neighborhoods and cities.

150. Here one day, a film about mental illness, suicide, and family (42:03)

Date:
2015-02-18
Main contributors:
University of Virginia. School of Medicine
Summary:
When documentary filmmaker Kathy Leichter moved back into her childhood home after her mother's suicide, she discovered a hidden box of audiotapes. Sixteen years passed before she had the courage to delve into this trove, but there she unearthed what her mother had recorded about every aspect of her life--from the joys and challenges of her marriage to a state senator to her son's estrangement , as well as the highs and lows of living with bipolar disorder. Here one day is Ms. Leichter's emotionally candid film about a woman coping with mental illness, her family relationships, and the ripple effects of her suicide on those she loved. In this Medical center hour, Ms. Leichter offers her extraordinary award-winning film, speaks about the transformative nature of story, and shows how Here one day is helping to dissolve mental health stigma and to educate and support persons and families in communities and educational institutions across the country.